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Exlpore more Magic quotes
"We always underestimated our own participation in magic. That is, we thought of magic as something that existed with or without us. But that's not true. Things are not magical because they've been conjured for us by some outside force. They are magical because we create them, and then deem them so. Ryan and Avery will say the first moment they spoke, the first moment they danced, was magical. But they were the ones-no one else, nothing else-who gave it the magic. We know. We were there. Ryan opened himself to it. Avery opened himself to it. And the act of opening was all they needed. That is the magic."
"Maybe magic and love, together, can achieve what magic alone cannot."
"Aboutour argument tonightwhatever it wasaboutand no matterhow unhappyit made usfeelremember thatthere is acatsomewhereadjusting to thespace of itselfwith a delightfulwonderment ofeasiness.in other wordsmagic persistswithout usno matter whatwe doagainst it."
"Know your magic, trust your magic, use your magic and know that you are a manifestation of life's magic."
"A vacation spot out of season always has a very special magic."
"Technically,' I said, "I'm not breaking any of the Laws of Magic. I'm not robbing you of your will, so I'm clear of the Fourth Law. And you didn't get loose, so I'm clear of the Seventh Law. The Council can bite me.'The bone ridges above Chauncy's eyes twitched. 'Surely, that is merely a colorful euphemism, rather than a statement of desire.''It is."
"Yet magic is no more the art of employing consciously invisible means to produce visible effects. Will, love, and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen."
Explore more quotes by Charlie Hunter
"But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled."
"Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!"
"Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive."
"That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?"
"It's just a way of trying to get to a third thing that's not particular to any quote-unquote genre. It's been great for me; it's really opened me up and gotten me to use that part of my imagination. It's very scary in a lot of ways, and just as exciting."
"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."
"I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is."
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