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"Art must always stand guard against stirring emotions that lie outside the aesthetic: sexual arousal, terror, disgust, shock."
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"I would wear pink because I knew my future was anything but rosy. I would accessorize myself to the hilt, and I would wear flirty shoes because my world needed more beauty to counter all the ugliness in it. I would wear pink because I hated gray, I didn't deserve white, and I was sick of black."

"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."

"They wore their strange beauty like war paint."

"Pictures deface walls more often than they decorate them."

"We ascribe beauty to that which is simple which has no superfluous parts which exactly answers its ends."

"There is nothing more beautiful than the light of a Candle and the Aroma of it's Heart."

"The philosophical study of beauty, art, and the splendor of nature nurtures a person's fertile mind by exposing a person to the puzzling world of the beautiful, elegant, ugly, and grotesque. Human beings ability to experience sublime pleasure emanates from a variety of sensory experiences and a person's ability to make discriminatory observations and judgment in taste and sentiment."

"Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics."

"I had a microscopic eye for the blemish, for the grain of ugliness which to me constituted the sole beauty of the object."

"Purposefully look for something beautiful today."
Explore more quotes by Milan Kundera

"For there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes."

"They shout that they want to shape a better future, but it's not true. The future is only an indifferent void no one cares about,but the past is filled with life, and its countenance is irritating, repellent, wounding, to the point that we want to destroy it or repaint it. We want to be the masters of the future only for the power to change the past. We fight for access to the labs where we can retouch photos and rewrite biographies and history."

"There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless."

"The assassination of Allende quickly covered over the memory of the Russian invasion of Bohemia, the bloody massacre in Bangladesh caused Allende to be forgotten, the din of war in the Sinai Desert drowned out the groans of Bangladesh, the massacres in Cambodia caused the Sinai to be forgotten, and so on, and on and on, until everyone has completely forgotten everything."

"Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes)."

"He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist."
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