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"Art must always stand guard against stirring emotions that lie outside the aesthetic: sexual arousal, terror, disgust, shock."
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"Works of art are infinitely solitary and nothing is less likely to reach them than criticism. Only love can grasp them and hold them and do them justice."
"In an animal's or a plant's expression of imagination (let's leave out the rest for now, so we don't have to deal with the question of consciousness in, for example, minerals), there is always purity in the connection between need and evolution. That which is created is a response to reality and very specific, essential concerns. This then is the origin of the union between what is so and mysterious harmony-truth and beauty. The bridge between them is inspired intuition and the actions it causes. Or, imagination causes inspiration causes intuition causes beauty, which then causes imagination again."
"A goatee is to beards what diamonds are to ornaments."
"The light music of whisky falling into glasses made an agreeable interlude."
"The quality of beauty lies on how beholder values an object."
"The cat . . . is for the man who appreciates beauty as the one living force in a blind and purposeless universe."
"I hate people who collect things and classify things and give them names and then forget all about them. That's what people are always doing in art. They call a painter an impressionist or a cubist or something and then they put him in a drawer and don't see him as a living individual painter any more."
"The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part."
"Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed."
"était tard ; ainsi qu’une médaille neuve
La pleine lune s’étalait,
Et la solennité de la nuit, comme un fleuve
Sur Paris dormant ruisselait."
Explore more quotes by Milan Kundera
"For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies."
"There is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels for someone, for someone, pain intensified by the imagination and prolonged by a hundred echos."
"Laughter was like an enormous trap waiting patiently in the room with them, but hidden behind a thin wall."
"If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?"
"There is no particular merit in being nice to one's fellow man... We can never establish with certainty what part of our relations with others is a result of our emotions — love, apathy, charity, or malice — and what part is predetermined by the constant power play among individuals. True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power. Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect, mankind has suffered a fundamental débâcle — a débâcle so fundamental all others stem from it."
"The uniform is that which we do not choose, that which is assigned to us; it is the certitude of the universal against the precariousness of the individual. When the values that were once so solid come under challenge and withdraw, heads bowed, he who cannot live without them (without fidelity, family, country, discipline, without love) buttons himself up in the universality of his uniform as if that uniform were the last shred of transcendence that could protect him against the cold of a future in which there will be nothing left to respect."
"Does he love me? Does he love anyone more than me? Does he love me more than I love him? Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short. Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company."
"Horror is a shock, a time of utter blindness. Horror lacks every hint of beauty. All we can see is the piercing light of an unknown event awaiting us. Sadness, on the other hand, assumes we are in the know... The light of horror thus lost its harshness, and the world was bathed in a gentle, bluish light that actually beautified it."
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