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"Miss Austen had shown the infinite possibilities of ordinary and present things for the novelist."
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"The body was weak, it can't move it can't do anything. It was like a junkie or a robot which is off, the body was in terrible condition. This wasn't a robot, this was a human a real human which suicided a human which his body was swollen!"
"I thought maybe if she could express herself rather than suffer herself, if she had a way to relieve the burden, she lived for nothing more than living, with nothing to get inspired by, to care for, to call her own, she helped out at the store, then came home and sat in her big chair and stared at her magazines, not at them but through them, she let the dust accumulate on her shoulders."
"Tragedy descends, and in the carnage our enraged cynicism screams 'If there was a God, He would not have allowed this!' And somehow we've conveniently forgotten that once upon a time He allowed us to tell Him to go away, and once upon that time we allowed ourselves to take Him up on that offer."
"Part of every misery is, so to speak, the misery's shadow or reflection: the fact that you don't merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief."
"Discharge [disposal of karma] is in nature's hands. That's why there is restlessness. That is why these are the pains of dependency [association]. There are such times man has to face that it becomes difficult for him to pass even one hour."
"There is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman forever beggared of peace and joy, yet kept secret by the sufferer-committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed into no human ear."
"Boredom is probably more frequent and more tormenting if you do not have sight or hands."
Explore more quotes by George Saintsbury
"Miss Austen had shown the infinite possibilities of ordinary and present things for the novelist."
"The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story."
"But even gold is not everything: and only a fanatic, and a rather foolish fanatic, would say that this style of fiction summed up and exhausted all the good that fiction could give and do."
"The transition state of manners and language cannot be too often insisted upon: for this affected the process at both ends, giving the artist in fictitious life an uncertain model to copy and unstable materials to work in."
"But at the time when he wrote, Englishmen, with the rarest exceptions, wrote only in French or Latin; and when they began to write in English, a man of genius, to interpret and improve on him, was not found for a long time."
"Between Scott on the earlier side and Dickens and Thackeray on the other, there was an immense production of novels, illustrated by not a few names which should rank high in the second class, while some would promote more than one of them to the first."
"The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth."
"To pass to the deluge, and beyond it, and to come to close quarters with our proper division, the origin of Romance itself is a very debatable subject, or rather it is a subject which the wiser mind will hardly care to debate much."
"One of the best known, and one of the least intelligible, facts of literary history is the lateness, in Western European Literature at any rate, of prose fiction, and the comparative absence, in the two great classical languages, of what we call by that name."
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