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"All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me."
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"Under the glass porte-cochA re of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day's last hour and pawned it with that ancient fence, the night."
"The smog curled between the streetlamps and the spokes of the wrought iron framework. It seemed through your body and into your bones."
"When they came it was as if the lord of the world had arrived, and had brought all the glories of its kingdoms along; and when they went they left a calm behind which was like the deep sleep which follows an orgy."
"It was a small room with dim light coming in the window, reminiscent of old Polish films."
"Sleepiness seemed to be creeping out of the ground and up their legs, and falling softly out of the air upon theirheads and eyes."
"Even though it was six o'clock, there was no sense of approaching dawn."
"At the same time all the houses round about promptly took part in this silence, and so did the darkness above them, reaching as far as the stars. And the footsteps of invisible passers-by, whose course I had no wish to guess at, the wind that kept on driving against the other side of the street, the gramophone singing behind closed windows in some room - they made themselves heard in this silence, as if they had owned it for ever and ever."
"The sky was like ebony and the only illumination was the harsh white light of the central streetlamp, which cast shadows so hard it seemed you might cut yourself on them."
"Mandy loved the smell of a sunny day after a night of rain. The sun hit the orange puddles, the overgrown, soft, green grass on her lawn, and it beamed down through the orange steel mill smog, sending otherworldly, bizarre shadows across the concrete sidewalk."
"The house, and all the objects in it, crackled with static electricity; undertows washed through it, the air was heavy with things that were known but not spoken. Like a hollow log, a drum, a church, it was amplified, so that conversations whispered in it sixty years ago can be half-heard today."
Explore more quotes by Barry Levinson
"The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable."
"I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs."
"I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever."
"I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show."
"When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came."
"Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made."
"I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that."
"Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time."
"It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right."
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