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Flannery O'Connor

"Hazel Motes sat at a forward angel on the green plush train seat, looking one minute at the window as if he might want to jump out of it, and the next down the aisle at the other end of the car."

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"Hazel Motes sat at a forward angel on the green plush train seat, looking one minute at the window as if he might want to jump out of it, and the next down the aisle at the other end of the car."

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Amber Hurdle

"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

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Amber Hurdle

"I will do my very best while there is still grace."

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Amber Hurdle

"Hope in the heart is the escape in any hardship."

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Amber Hurdle

"Hope can keep you alive in the midst of the turbulence."

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Amber Hurdle

"Stop tagging everyone into your life's profile. For all you don't know, some will neither comment nor commend you; some may not like or hike with you! Evil companies corrupt good morals... Watch who goes with you and why! ...live life soooo well!!"

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Amber Hurdle

"I am seeing life in two dimensions, human and divine."

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Amber Hurdle

"If we born into the world, we must seek rebirth in the world."

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Amber Hurdle

"Happiness is immeasurable joy."

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Amber Hurdle

"PORTERThis is a lot of knocking! Come to think of it, if a man were in charge of opening the gates of hell to let people in, he would have to turn the key a lot."

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Amber Hurdle

"Have a ray of sunshine and light with you everywhere you may go."

Explore more quotes by Flannery O'Connor

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Flannery O'Connor
"Our age not only does not have a very sharp eye for the almost imperceptible intrusions of grace, it no longer has much feeling for the nature of the violences which precede and follow them."
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Flannery O'Connor
"He had a look of composed dissatisfaction, as if he understood life thoroughly."
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Flannery O'Connor
"Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look."
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Flannery O'Connor
"I am not afraid that the book will be controversial, I'm afraid it will not be controversial."
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Flannery O'Connor
"The theologian is interested specifically in the modern novel because there he sees reflected the man of our time, the unbeliever, who is nevertheless grappling in a desperate and usually honest way with intense problems of the spirit."
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Flannery O'Connor
"Art transcends its limitations only by staying within them."
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Flannery O'Connor
"Virtue must be the only vigorous thing in our lives. Sin is large and stale. You can never finish easting it nor ever digest it. It has to be vomited."
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Flannery O'Connor
"Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay."
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Flannery O'Connor
"I don't really think the standard of judgment, the missing link, you spoke of that you find in my stories emerges from any religion but Christianity, because it concerns specifically Christ and the Incarnation, the fact that there has been a unique intervention in history. It's not a matter in these stories of Do Unto Others. That can be found in any ethical cultural series. It is the fact of the Word made flesh."
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Flannery O'Connor
"The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it."
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