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Phillip Noyce

"Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!"

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"Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!"

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"The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof."

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"I like the George Romero films, which were really great, social satire movies; really twisted."

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"I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie."

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Amber Hurdle

"I would be more frightened as a writer if people thought my movies were like science fiction."

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Amber Hurdle

"I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies."

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Amber Hurdle

"They do think it is a big summer movie and that's why they want to give it a great chance, but they don't want to go up against Spider-Man 2 or some of the other big movies, the $100 million films that are coming up."

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Amber Hurdle

"People have perhaps gotten to the point where for the most part movies are a just bit of escape."

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"I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately."

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Amber Hurdle

"I like being in movies that have a great story. I'm not so interested in being a Hollywood star. It's a job, you know. When you wake up at six in the morning every day for a week, it feels like hard work."

Explore more quotes by Phillip Noyce

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Phillip Noyce
"After working for years in Hollywood where the actors have taken over, it was a real relief to get down there and not only have some children, but also have some actors that had no attitude."
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Phillip Noyce
"So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression."
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Phillip Noyce
"You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank."
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Phillip Noyce
"There were a couple Aborigines in my primary school, but we never spoke to them. They kept to themselves, and we never really even locked eyes. They weren't acknowledged officially either."
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Phillip Noyce
"A collection of huts surrounded by a barbed wire fence, and in the huts lived 500 of the original inhabitants of our area. And so it went with many country towns around Australia."
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Phillip Noyce
"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."
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Phillip Noyce
"Well, I don't know what they'll turn out to be, but I'm working on a film of Kon Tiki."
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Phillip Noyce
"Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature."
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Phillip Noyce
"The more she rejected us the more convinced I was that she was another version of the real Molly, her disdain for authority, her scepticism that she had to do what the white man told her because it was good for her... She is Molly."
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Phillip Noyce
"Obviously all of us have thought about Vietnam, particularly in my generation in Australia that were part of conscription and fought there. Our friends came back, forever changed. So there were a lot of questions."
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