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"Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!"
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"So, one way or another, I found myself in a few movies. I take it seriously when I'm on the set, but I don't take myself seriously as an actor."

"That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years."

"When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way."

"I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio into hiring me because they didn't want me."
Explore more quotes by Phillip Noyce

"Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature."

"People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct."

"Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face."

"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."

"I remembered the 500 people that lived on a reserve outside my little town, behind a big fence."

"You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank."

"So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression."

"Obviously all of us have thought about Vietnam, particularly in my generation in Australia that were part of conscription and fought there. Our friends came back, forever changed. So there were a lot of questions."

"A collection of huts surrounded by a barbed wire fence, and in the huts lived 500 of the original inhabitants of our area. And so it went with many country towns around Australia."
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