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John Schlesinger

"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."

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"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."

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Amber Hurdle

"The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance."

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Amber Hurdle

"The only private sector industry where employees work with their lives on stake for the interest of common people is media industry."

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Amber Hurdle

"I had been thinking a lot about how the media has created this complex, fictionalized cartoon version of me, you know, this man-eating, jet-setting serial dater who reels them in, but scares them off because she's clingy and needy; then she's all dejected, so she goes into her lair and writes a song as a weapon. I mean, man, that's pretty intense. And I started thinking about what an interesting character that person is. And, if I was that person, what would my life motto be, my mantra? What would I say? I think I'd own it."

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Amber Hurdle

"Advertisements contain the only truths to be relied on in a newspaper."

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Amber Hurdle

"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."

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Amber Hurdle

"The little words in the Republic of Letters, like the little folks in a nation, are the most useful and significant."

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Amber Hurdle

"The death of a billionaire is worth more to the media than the lives of a billion poor people."

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Amber Hurdle

"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."

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Amber Hurdle

"The minute viewers callin or write about your looks, they were not listening to what you were saying."

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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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John Schlesinger
"We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene."
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John Schlesinger
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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John Schlesinger
"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."
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John Schlesinger
"I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film."
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John Schlesinger
"Hollywood is an extraordinary kind of temporary place."
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John Schlesinger
"I've never felt that using something with tongue in cheek has been a bad thing."
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