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Stephen Sondheim

"Everyone I used to play with has either given up or is dead."

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"Everyone I used to play with has either given up or is dead."

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Amber Hurdle

"Hey, pretty book, why don't you lie in my lap awhile?"

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Amber Hurdle

"Want to play baseball?' she asked. Shane's eyes opened, and he stopped stroking her hair. "What?' "First base,' she said. "You're already there.' "I'm not running the bases.' "Well, you could at least steal second.' "Jeez, Claire. I used to distract myself with sports stats at times like these, but now you've gone and ruined it."

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Amber Hurdle

"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

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Amber Hurdle

"That is just what life is when it is beautiful and happy - a game! Naturally, one can also do all kinds of other things with it, make a duty of it, or a battleground, or a prison, but that does not make it any prettier."

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Amber Hurdle

"When I play with my cat, who knows whether she is not amusing herself with me more than I with her."

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Amber Hurdle

"If you can't play the blues... you might as well hang it up."

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Amber Hurdle

"It is for the latter that I always wanted to be an actor: to play characters who are always on the move."

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Amber Hurdle

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

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Amber Hurdle

"When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass."

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Amber Hurdle

"Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well."

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Stephen Sondheim
"When I was growing up, there was no such thing as Off-Broadway. You either got your show on or you didn't."
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Stephen Sondheim
"The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them."
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Stephen Sondheim
"The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service."
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Stephen Sondheim
"I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra."
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Stephen Sondheim
"Math and music are intimately related. Not necessarily on a conscious level, but sure."
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Stephen Sondheim
"By the time I was 22, I was a professional. A young and flawed professional, but not an amateur."
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Stephen Sondheim
"I really don't want to write a score until the whole show is cast and staged."
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Stephen Sondheim
"So many good songs get written fast, because you know exactly what has to work."
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Stephen Sondheim
"Everyone I used to play with has either given up or is dead."
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Stephen Sondheim
"If people have split views about your work, I think it's flattering. I'd rather have them feel something about it than dismiss it."
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