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"Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control."
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"You will find there are times you must grasp your life with both hands and forcefully steer it in a new direction and then strain to hold your course until the storms of fear, weakness, and doubt abate."

"Ambalal Muljibhai' (Dada's relative self) is under the control of worldly interactions, and 'we' (The Gnani Purush) are in the control of nischaya (realm of the Self). Worldly interaction should not be scorned at, at all."

"One is called a saiyami [those with inner control] when no intent of transgression remains within him. Even during anger-pride-deceit-greed when there is no violent intent, that is called saiyam. A saiyami will go to moksha."

"The rule is that when one's mind is controlled in a specific subject, he can control the other person's mind in that subject."

"It is possible to be a puppet on a string, controlled by hidden forces."
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"I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation."


"The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye."


"Language should find itself in the physical world, and not end up locked in an idea in somebody's head."


"History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy."


"Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time."
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