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"A relationship with an imaginary woman is preferable to a relationship with a real one."
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Exlpore more Imagination quotes

"I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend..."

"...in an infinite universe, anything that could be imagined might somewhere exist."

"The imagination is a muscle. If it is not exercised, it atrophies."

"Few people have the imagination for reality."

"But then again, if you don't imagine, nothing ever happens at all. Imagining isn't perfect. You can't get all the way inside someone else. I could never have imagined Margo's anger at being found, or the story she was writing over. But imagining being someone else, or the world being something else, is the only way in."

"I desired dragons with a profound desire. Of course, I in my timid body did not wish to have them in the neighborhood. But the world that contained even the imagination of FA¡fnir was richer and more beautiful, at whatever the cost of peril."

"Says, Rahula! Rahula! Face of Glory! Universe chawed and swallowed!"

"The nose of a mob is its imagination. By this, at any time, it can be quietly led."

"The world cannot be translated, It can only be dreamed of and touched."

"The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords."
Explore more quotes by Salman Rushdie

"What one writer can make in the solitude of one room is something no power can easily destroy."

"This may be the curse of the human race, not that we are so different from one another, but that we are so alike."

"Those who do not have power over the story that dominates their lives, power to retell it, to rethink it, deconstruct it, joke about it, and change it as times change, truly are powerless."

"Sometimes, people trying to commit suicide manage it in a manner that leaves them breathless with astonishment."

"We, the public, are easily, lethally offended. We have come to think of taking offence as a fundamental right. We value very little more highly than our rage, which gives us, in our opinion, the moral high ground. From this high ground we can shoot down at our enemies and inflict heavy fatalities. We take pride in our short fuses. Our anger elevates, transcends."

"I allowed myself the supernatural, the transcendent, because, I told myself, our love of metaphor is pre-religious, born of our need to express what is inexpressible, our dreams of otherness, of more."

"As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper."

"All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark."

"An attack upon our ability to tell stories is not just censorship - it is a crime against our nature as human beings."

"Iff replied that the Plentimaw Fishes were what he called 'hunger artists' - 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old - it is the new combinations that make them new."
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