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Branford Marsalis

"It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore."

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"It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore."

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Amber Hurdle

"Writing is like jazz. It can be learned, but it can't be taught."

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Amber Hurdle

"I haven't a great jazz band, and I don't want one."

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Amber Hurdle

"We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians."

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Amber Hurdle

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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Amber Hurdle

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Amber Hurdle

"I wanted to make a jazz record. I didn't want it to be a standards record."

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Amber Hurdle

"Once you start collecting records you learn more and more about jazz and blues."

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Amber Hurdle

"I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz."

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Amber Hurdle

"Well, I guess my unease with that is... I'm always a little uneasy with that phrase - smooth jazz, as opposed to what?"

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Amber Hurdle

"I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet."

Explore more quotes by Branford Marsalis

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Branford Marsalis
"My dad was a musician, it was just what he did, like another guy's dad drives a meat truck. Our house was normal. We weren't taken with the fact our dad was a musician."
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Branford Marsalis
"One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else."
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Branford Marsalis
"The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula."
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Branford Marsalis
"The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear."
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Branford Marsalis
"If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so."
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Branford Marsalis
"I'm not going to play funk licks on a jazz album. That makes no sense."
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Branford Marsalis
"Pop doesn't really look back. It can't. What makes pop work is simplicity."
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Branford Marsalis
"You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't."
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Branford Marsalis
"I think that one of the problems that jazz has is that it's so incestuous that it's starting to kill itself."
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Branford Marsalis
"I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself."
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