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"You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there."
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"Nothing can now be believed which is seen in a newspaper. Truth itself becomes suspicious by being put into that polluted vehicle."
"When the New York Times scratches its head, get ready for total baldness as you tear out your hair."
"Pro-government press is not a press it is just a lie-generating ugly machine; it is a guard dog, guarding only the official thieves, not the public!"
"The internet has become a carefully controlled and heavily monitored illusion. It has turned into both a circus and battleground. Popularity is rigged and can be bought. Censorship is in full effect. Popular opinion is fabricated, and the perception of a viewpoint's popularity is typically orchestrated and manipulated by legions of paid trolls. If you want to know the truth about somebody's true popularity and influence, look to the streets. If you want to know if a person is really guilty or innocent, study the facts yourself. Never judge anybody based on what you see or read on the internet. Information can easily be manipulated by the push of a few buttons."
"Sensationalism dies quickly, fear is long-lived."
"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."
"Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation."
"The minute viewers callin or write about your looks, they were not listening to what you were saying."
Explore more quotes by Mike Figgis
"Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days."
"In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form."
"It's difficult working with very rich actors, because inevitably they become a little spoilt, and the managers and agents tend to control things more than is healthy."
"The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that."
"You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time."
"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."
"I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on."
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