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"We are all dying one by one. We all smell of mortality, and we can't wash it off."
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"The fact that you have just buried your parent or parents and/or sibling or siblings does not make you less likely to die today."
"Silver's sweet and gold's our mother, but once you're dead they're worth less than that last shit you take as you lie dying."
"I think Bonzo died. I dreamed about it last night. I remembered the way he looked after I jammed his face with my head. I think I must have pushed his nose back into his brain. The blood was coming out of his eyes. I think he was dead right then."
"You don't need a sad soul to feel the beauty of a dead graveJust stay with the pale moonwhen darkness wants the night to be brave."
"To die is different from what anyone supposed, and luckier."
"Tombstones covered the dale, the smooth marble surfaces bright. She had spent days here as a teenager, though not out of any awareness of mortality. Like every adolescent, she intended to live forever."
"When we're all gone at last then there'll be nobody here but death and his days will be numbered too. He'll be out in the road there with nothing to do and nobody to do it to. He'll say: where did everybody go? And that's how it will be. What's wrong with that?"
Explore more quotes by Siri Hustvedt
"But all attractions are alike,' he said. 'They come from an emptiness inside.' He hammered on this chest with his index finger. 'Something's missing and you have to fill it. Books, paintings, people, they're all the same...''A lot of people do without books and paintings.''True,' he said, 'but that doesn't affect the argument.' Paris turned his head to one side and chewed on his lip. 'Of course, nothing ever does the trick. Nobody's really satisfied for long."
"Creativity has always depended on openness and flexibility, so let us hope for more of both in the future."
"There is no perception without memory. But good art surprise us. Good art reorients our expectations, forces us to break the pattern, to see in a new way."
"Ture stories can't be told forward, only backward. We invent them from the vantage point of an ever-changing present and tell ourselves how they unfolded."
"It's hard to penetrate characters who are very cut off and lack empathy and to do it with sympathy. It's so easy to make a damaged character repugnant."
"If something's not working, it's wonderful to have a reader you can trust to say, 'Actually, you've gone off the deep end here'."
"Old places fire the internal weather of our pasts. The mild winds, aching calms, and hard storms of forgotten emotions return to us when we return to the spots where they happened."
"The stories and pictures I make for the lives of the people closest to me are the forms of my empathy."
"The truth is that what fascinates me is not so much being in a place as not being there: how places live in the mind once you have left them, how they are imagined before you arrive, or how they are seemingly called out of nothing to illustrate a thought or story like my tree down yonder. These mental spaces map our Innes lives more fully than any "real" map, delineating the borders of here and there that also shape what we see in the present."
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