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Gustave Flaubert

"Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank..."

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"Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank..."

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"Summertime. It was a song. It was a season. I wondered if that season would ever live inside of me."

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"Philanthropy is. . . greatly overrated. A pain in the gut is not sympathy for the underprivileged, but the result of eating a green apple; the philanthropist gives to ease his own pain."

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"This was a favourite dress, one of Sally Parker's, the last almost she ever made, alas, for Sally had now retired, living at Ealing, and if ever I have a moment, thought Clarissa (but never would she have a moment any more), I shall go and see her at Ealing."

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Amber Hurdle

"Nostalgia for the 20th century brain helps nobody."

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Amber Hurdle

"With favoring winds, o'er sunlit seas,We sailed for the Hesperides,The land where golden apples grow;But that, ah! that was long ago.How far, since then, the ocean streamsHave swept us from that land of dreams,That land of fiction and of truth,The lost Atlantis of our youth!Whither, ah, whither? Are not theseThe tempest-haunted Orcades,Where sea-gulls scream, and breakers roar,And wreck and sea-weed line the shore?Ultima Thule! Utmost Isle!Here in thy harbors for a whileWe lower our sails; a while we restFrom the unending, endless quest."

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Amber Hurdle

"Isn't it weird the way you remember things, when someone's gone?"

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Amber Hurdle

"Nostalgia often leads to idle speculation."

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Amber Hurdle

"Moments always blossom more beautifully in memories."

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Amber Hurdle

"The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there."

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"Judge the goodness of a book by the energy of the punches it has given you. I believe the greatest characteristic of genius, is, above all, force."
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"What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?"
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"What wretched poverty of language! To compare stars to diamonds!"
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"Human life is a sad show, undoubtedly; ugly, heavy and complex. Art has no other end, for people of feeling than to conjure away the burden and bitterness."
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"One can be the master of what one does, but never of what one feels."
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"Come, let's be calm: no one incapable of restraint was ever a writer."
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