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Quotes by Italian Authors

"Translation is the art of failure."
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Umberto Eco
"Translation is the art of failure."
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"I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it)."
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Umberto Eco
"I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it)."
"The beauty of the universe consists not only of unity in variety, but also of variety in unity."
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Umberto Eco
"The beauty of the universe consists not only of unity in variety, but also of variety in unity."
"Acting is not that far from mental disease: An actor works on splitting his character into others. It is like a kind of schizophrenia."
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Vittorio Gassman
"Acting is not that far from mental disease: An actor works on splitting his character into others. It is like a kind of schizophrenia."
"Heaven would indeed be heaven if lovers were there permitted as much enjoyment as they had experienced on earth."
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Giovanni Boccaccio
"Heaven would indeed be heaven if lovers were there permitted as much enjoyment as they had experienced on earth."
"Nobody these days holds the written word in such high esteem as police states do."
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Italo Calvino
"Nobody these days holds the written word in such high esteem as police states do."
"Three conditions are necessary for Penance: contrition, which is sorrow for sin, together with a purpose of amendment; confession of sins without any omission; and satisfaction by means of good works."
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Thomas Aquinas
"Three conditions are necessary for Penance: contrition, which is sorrow for sin, together with a purpose of amendment; confession of sins without any omission; and satisfaction by means of good works."
"When you're young, all evolution lies before you, every road is open to you, and at the same time you can enjoy the fact of being there on the rock, flat mollusk-pulp, damp and happy."
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Italo Calvino
"When you're young, all evolution lies before you, every road is open to you, and at the same time you can enjoy the fact of being there on the rock, flat mollusk-pulp, damp and happy."
"Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?"
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Italo Calvino
"Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?"
"Falsehood is never in words, it is in things."
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Italo Calvino
"Falsehood is never in words, it is in things."
"But Ludmilla is always at least one step ahead of you. 'I like to know that book exists that I will still be able to read  she says, sure that existent objects, concrete albeit unknown, must correspond to the strength of her desire. How can you keep up with her, this woman who is always reading another book besides the one before her eyes, a book that does not yet exist, but which, since she wants it, cannot fail to exist?"
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Italo Calvino
"But Ludmilla is always at least one step ahead of you. 'I like to know that book exists that I will still be able to read she says, sure that existent objects, concrete albeit unknown, must correspond to the strength of her desire. How can you keep up with her, this woman who is always reading another book besides the one before her eyes, a book that does not yet exist, but which, since she wants it, cannot fail to exist?"
"I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed."
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Umberto Eco
"I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed."
"Tears come from the heart and not from the brain."
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Leonardo da Vinci
"Tears come from the heart and not from the brain."
"The taxi driver is someone who spends all day driving in city traffic (an activity that provokes either heart attack or delirium), in constant conflict with other human drivers. Consequently, he is nervous and hates every anthropomorphic creature."
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Umberto Eco
"The taxi driver is someone who spends all day driving in city traffic (an activity that provokes either heart attack or delirium), in constant conflict with other human drivers. Consequently, he is nervous and hates every anthropomorphic creature."
"Painting is mute poetry, and poetry is blind painting."
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Leonardo da Vinci
"Painting is mute poetry, and poetry is blind painting."
"Reading is solitude. One reads alone, even in another's presence."
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Italo Calvino
"Reading is solitude. One reads alone, even in another's presence."
"In the years when I discovered the Abbé Vallet volume, there was a widespread conviction that one should write only out of a commitment to the present, in order to change the world. Now, after ten years or more, the man of letters (restored to his loftiest dignity) can happily write out of pure love of writing."
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Umberto Eco
"In the years when I discovered the Abbé Vallet volume, there was a widespread conviction that one should write only out of a commitment to the present, in order to change the world. Now, after ten years or more, the man of letters (restored to his loftiest dignity) can happily write out of pure love of writing."
"He who does not value life does not deserve it."
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Leonardo da Vinci
"He who does not value life does not deserve it."
"The devil is not the prince of matter; the devil is the arrogance of spirit, faith without smile, truth that is never seized by doubt. The devil is grim because he knows where he is going, and, in moving, he always returns from whence he came."
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Umberto Eco
"The devil is not the prince of matter; the devil is the arrogance of spirit, faith without smile, truth that is never seized by doubt. The devil is grim because he knows where he is going, and, in moving, he always returns from whence he came."
"Don't you ever get tired of reading?' she asked. 'You could hardly be called good company! Don't you know that, with women, you're supposed to make conversation?' she added; her half smile was perhaps meant to be ironic, though to Amedeo, who at that moment would have paid anything rather than give up his novel, it seemed downright threatening."
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Italo Calvino
"Don't you ever get tired of reading?' she asked. 'You could hardly be called good company! Don't you know that, with women, you're supposed to make conversation?' she added; her half smile was perhaps meant to be ironic, though to Amedeo, who at that moment would have paid anything rather than give up his novel, it seemed downright threatening."
"He was staring hard, not at his wife and me but at his daughter watching us. In his cold pupil, in the firm twist of his lips, was reflected Madame Miyagi's orgasm reflected in her daughter's gaze."
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Italo Calvino
"He was staring hard, not at his wife and me but at his daughter watching us. In his cold pupil, in the firm twist of his lips, was reflected Madame Miyagi's orgasm reflected in her daughter's gaze."
"The universe will express itself as long as somebody will be able to say, 'I read, therefore it writes."
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Italo Calvino
"The universe will express itself as long as somebody will be able to say, 'I read, therefore it writes."
"Colorless green ideas sleep furiouslythree old owls on a chest of drawerswere screwingthe daughter of the doctor.But then the mother called them,colorless green ideas slepp furiously."
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Umberto Eco
"Colorless green ideas sleep furiouslythree old owls on a chest of drawerswere screwingthe daughter of the doctor.But then the mother called them,colorless green ideas slepp furiously."
"William made an ejaculation in his own language that I didn't understand, nor did the abbot understand it, and perhaps it was best for us both, because the word William uttered had an obscene hissing sound."
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Umberto Eco
"William made an ejaculation in his own language that I didn't understand, nor did the abbot understand it, and perhaps it was best for us both, because the word William uttered had an obscene hissing sound."
"Entering a novel is like going on a climb in the mountains: you have to learn the rhythm of respiration, acquire the pace; otherwise you stop right away."
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Umberto Eco
"Entering a novel is like going on a climb in the mountains: you have to learn the rhythm of respiration, acquire the pace; otherwise you stop right away."
"I love you, and because I love you, I would sooner have you hate me for telling you the truth than adore me for telling you lies."
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Pietro Aretino
"I love you, and because I love you, I would sooner have you hate me for telling you the truth than adore me for telling you lies."
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"The room where I am lodging is stupendous. Thank God I am as fit as a fiddle."
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Pietro Mascagni
"The room where I am lodging is stupendous. Thank God I am as fit as a fiddle."
God,
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"We anarchists do not want to emancipate the people; we want the people to emancipate themselves."
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Errico Malatesta
"We anarchists do not want to emancipate the people; we want the people to emancipate themselves."
"I would much rather have men ask why I have no statue than why I have one."
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Marcus Porcius Cato
"I would much rather have men ask why I have no statue than why I have one."
"It is an acknowledged fact that we perceive errors in the work of others more readily than in our own."
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Leonardo da Vinci
"It is an acknowledged fact that we perceive errors in the work of others more readily than in our own."
"Italian girls are famous for being snobby and expecting men to make the first move. In America, if I don't make eye contact, the guys won't come over and talk. American girls just go for it. You men are spoiled."
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Silvia Colloca
"Italian girls are famous for being snobby and expecting men to make the first move. In America, if I don't make eye contact, the guys won't come over and talk. American girls just go for it. You men are spoiled."
"A good painter is to paint two main things namely men and the working of man's mind."
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Leonardo da Vinci
"A good painter is to paint two main things namely men and the working of man's mind."
"The natural desire of good men is knowledge."
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Leonardo da Vinci
"The natural desire of good men is knowledge."
"Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen."
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Leonardo da Vinci
"Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen."
"Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx."
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Italo Calvino
"Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx."
"A high heart ought to bear calamities and not flee them, since in bearing them appears the grandeur of the mind and in fleeing them the cowardice of the heart."
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Pietro Aretino
"A high heart ought to bear calamities and not flee them, since in bearing them appears the grandeur of the mind and in fleeing them the cowardice of the heart."
"If one starts to draw comparisons between what is and what is not, it is the poorer qualities of the former that strike you, the impurities, the flaws; in short, you can only really feel safe with nothingness."
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Italo Calvino
"If one starts to draw comparisons between what is and what is not, it is the poorer qualities of the former that strike you, the impurities, the flaws; in short, you can only really feel safe with nothingness."
"There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation."
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Umberto Eco
"There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation."
"Nature is the source of all true knowledge. She has her own logic, her own laws, she has no effect without cause nor invention without necessity."
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Leonardo da Vinci
"Nature is the source of all true knowledge. She has her own logic, her own laws, she has no effect without cause nor invention without necessity."
"If you want to use television to teach somebody, you must first teachthem how to use television."
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Umberto Eco
"If you want to use television to teach somebody, you must first teachthem how to use television."
"Obstacles cannot crush me. Every obstacle yields to stern resolve. He who is fixed to a star does not change his mind."
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Leonardo da Vinci
"Obstacles cannot crush me. Every obstacle yields to stern resolve. He who is fixed to a star does not change his mind."
"It was the hour in which objects lose the consistency of shadow that accompanies them during the night and gradually reacquire colors, but seem to cross meanwhile an uncertain limbo, faintly touched, just breathed on by light; the hour in which one is least certain of the world's existence."
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Italo Calvino
"It was the hour in which objects lose the consistency of shadow that accompanies them during the night and gradually reacquire colors, but seem to cross meanwhile an uncertain limbo, faintly touched, just breathed on by light; the hour in which one is least certain of the world's existence."
"The real protagonist of the story, however, is the magic ring, because it is the movements of the ring that determine those of the characters and because it is the ring that establishes the relationships between them. Around the magic object there forms a kind of force field that is in fact the territory of the story itself. We might say that the magic object is an outward and visible sign that reveals the connection between people or between events. . . We might even say that in a narrative any object is always magic."
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Italo Calvino
"The real protagonist of the story, however, is the magic ring, because it is the movements of the ring that determine those of the characters and because it is the ring that establishes the relationships between them. Around the magic object there forms a kind of force field that is in fact the territory of the story itself. We might say that the magic object is an outward and visible sign that reveals the connection between people or between events. . . We might even say that in a narrative any object is always magic."
"Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness."
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Umberto Eco
"Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness."
"A monk should surely love his books with humility, wishing their good and not the glory of his own curiosity; but what the temptation of adultery is for laymen and the yearning for riches is for secular ecclesiastics, the seduction of knowledge is for monks."
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Umberto Eco
"A monk should surely love his books with humility, wishing their good and not the glory of his own curiosity; but what the temptation of adultery is for laymen and the yearning for riches is for secular ecclesiastics, the seduction of knowledge is for monks."
"The world was trying to change its old face and show its underbelly of earth and roots."
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Italo Calvino
"The world was trying to change its old face and show its underbelly of earth and roots."
"The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss."
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Italo Calvino
"The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss."
"I'm accustomed to thinking of literature as a search for knowledge; in order to move onto existential terrain I need to consider it in relation to anthropology, ethnology, and mythology."
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Italo Calvino
"I'm accustomed to thinking of literature as a search for knowledge; in order to move onto existential terrain I need to consider it in relation to anthropology, ethnology, and mythology."
"Poor is the pupil who does not surpass his master."
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Leonardo da Vinci
"Poor is the pupil who does not surpass his master."
"People are never so completely and enthusiastically evil as when they act out of religious conviction."
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Umberto Eco
"People are never so completely and enthusiastically evil as when they act out of religious conviction."
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