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Vladimir Nabokov was a Russian-American novelist, best known for his controversial and critically acclaimed work Lolita. His mastery of language, unique narrative techniques, and deep psychological insights into human nature continue to inspire writers and readers around the world. Nabokov's work challenges us to explore the complexities of identity, morality, and art, while encouraging us to approach literature with curiosity, intellectual rigor, and an open mind.
"It was love at first sight, at last sight, at ever and ever sight."
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"It was love at first sight, at last sight, at ever and ever sight."

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"It is hard, I submit, to loathe bloodshed, including war, more than I do, but it is still harder to exceed my loathing of the very nature of totalitarian states in which massacre is only an administrative detail."
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"It is hard, I submit, to loathe bloodshed, including war, more than I do, but it is still harder to exceed my loathing of the very nature of totalitarian states in which massacre is only an administrative detail."

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"I notice I may have somehow mixed up two events, my visit with Rita to Briceland on our way to Cantrip, and our passing through Briceland again on our way back to New York, but such suffusions of swimming colors are not to be disdained by the artist in recollection."
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"I notice I may have somehow mixed up two events, my visit with Rita to Briceland on our way to Cantrip, and our passing through Briceland again on our way back to New York, but such suffusions of swimming colors are not to be disdained by the artist in recollection."

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"If I broke her heart, her image of me would break too."
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"If I broke her heart, her image of me would break too."

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"As to the past, I would not mind retrieving from various corners of space-time certain lost comforts, such as baggy trousers and long, deep bathtubs."
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"As to the past, I would not mind retrieving from various corners of space-time certain lost comforts, such as baggy trousers and long, deep bathtubs."

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"Coordinating thereEvents and objects with remote eventsAnd vanished objects. Making ornamentsOf accidents and possibilities."
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"Coordinating thereEvents and objects with remote eventsAnd vanished objects. Making ornamentsOf accidents and possibilities."

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"The act of vividly recalling a patch of the past is something that I seem to have been performing with the utmost zest all my life, and I have reason to believe that this almost pathological keenness of the retrospective faculty is a hereditary trait."
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"The act of vividly recalling a patch of the past is something that I seem to have been performing with the utmost zest all my life, and I have reason to believe that this almost pathological keenness of the retrospective faculty is a hereditary trait."

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"I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe."
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"I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe."

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"My darling, what a cat they have! Something perfectly stupendous. Siamese, in colour dark beige, or taupe, with chocolate paws and the tail the same. Moreover, his tail is comparatively short, so his croup has something of a little dog, or rather, a kangaroo, and that's its colour, too. And that special silkiness of short fur, and some very tender white tints on its folds, and wonderful clear-blue eyes, turning transparently green towards evening, and a pensive tenderness of its walk, a sort of heavenly circumspection of movement. An amazing, sacred animal, and so quiet " it's unclear what he is looking at with those eyes filled to the brim with sapphire water."
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"My darling, what a cat they have! Something perfectly stupendous. Siamese, in colour dark beige, or taupe, with chocolate paws and the tail the same. Moreover, his tail is comparatively short, so his croup has something of a little dog, or rather, a kangaroo, and that's its colour, too. And that special silkiness of short fur, and some very tender white tints on its folds, and wonderful clear-blue eyes, turning transparently green towards evening, and a pensive tenderness of its walk, a sort of heavenly circumspection of movement. An amazing, sacred animal, and so quiet " it's unclear what he is looking at with those eyes filled to the brim with sapphire water."

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"I cannot conceive how anybody in his right mind should go to a psychoanalyst."
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"I cannot conceive how anybody in his right mind should go to a psychoanalyst."

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"Doom is nigh. I am in acute distress, desperately trying to coax sleep, opening my eyes every few seconds to check their faded gleam, and imagining paradise as a place where a sleepless neighbor reads an endless book by the light of an eternal candle."
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"Doom is nigh. I am in acute distress, desperately trying to coax sleep, opening my eyes every few seconds to check their faded gleam, and imagining paradise as a place where a sleepless neighbor reads an endless book by the light of an eternal candle."

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"Light in comparison with darkness is a void."
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"Light in comparison with darkness is a void."

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"I was also supposed to quiz my various companions on a number of important matters such as nostalgia, fear of unknown animals, food fantasies, nocturnal emissions, hobbies, choice of radio program, changes in out look and so forth."
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"I was also supposed to quiz my various companions on a number of important matters such as nostalgia, fear of unknown animals, food fantasies, nocturnal emissions, hobbies, choice of radio program, changes in out look and so forth."

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"On such sunny, sad mornings I always feel in my bones that there is a chance yet of my not being excluded from Heaven, and that salvation may be granted to me despite the frozen mud and horror in my heart."
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"On such sunny, sad mornings I always feel in my bones that there is a chance yet of my not being excluded from Heaven, and that salvation may be granted to me despite the frozen mud and horror in my heart."

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"All my life I have been a poor go-to-sleeper. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me. I loathe Somnus, that black-masked headsman binding me to the block; and if in the course of years I have got so used to my nightly ordeal as almost to swagger while the familiar axe is coming out of its great velvet-lined case, initially I had no such comfort or defense: I had nothing - save a door left slightly ajar into Mademoiselle's room. Its vertical line of meek light was something I could cling to, since in absolute darkness my head would swim, just as the soul dissolves in the blackness of sleep."
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"All my life I have been a poor go-to-sleeper. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me. I loathe Somnus, that black-masked headsman binding me to the block; and if in the course of years I have got so used to my nightly ordeal as almost to swagger while the familiar axe is coming out of its great velvet-lined case, initially I had no such comfort or defense: I had nothing - save a door left slightly ajar into Mademoiselle's room. Its vertical line of meek light was something I could cling to, since in absolute darkness my head would swim, just as the soul dissolves in the blackness of sleep."

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"Who grins in official circumstances?"
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"Who grins in official circumstances?"

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"I am sufficiently proud of my knowing something to be modest about my not knowing all."
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"I am sufficiently proud of my knowing something to be modest about my not knowing all."

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"The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can."
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"The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can."

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"Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him."
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"Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him."

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"The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible."
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"The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible."

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"His heart missed a beat and never regretted the lovely loss."
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"His heart missed a beat and never regretted the lovely loss."

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"Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths-until the Germans put her to death, together with all the people she had worried about."
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"Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths-until the Germans put her to death, together with all the people she had worried about."

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"A thousand years ago five minutes wereEqual to forty ounces of fine sand.Outstare the stars. Infinite foretime andInfinite aftertime: above your headThey close like giant wings, and you are dead."
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"A thousand years ago five minutes wereEqual to forty ounces of fine sand.Outstare the stars. Infinite foretime andInfinite aftertime: above your headThey close like giant wings, and you are dead."

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"Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed."
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"Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed."

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"Good by-aye!" she chanted, my American sweet immortal dead love; for she is dead and immortal if you are reading this."
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"Good by-aye!" she chanted, my American sweet immortal dead love; for she is dead and immortal if you are reading this."

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"Running in the wind, in the pollen and dust, a flower in flight."
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"Running in the wind, in the pollen and dust, a flower in flight."

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"And yet I shall try again: "they are murdering me!"--all right, all together once more: "they are murdering me!" and again: "murdering"... I want to write this in such a way that you will cover your ears, your membranaceous, simian ears that you hide under strands of beautiful feminine hair--but I know them, I see them, I pinch them, the cold little things, I worry them with my fingers to somehow warm them, bring them to life, render them human, force them to hear me."
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"And yet I shall try again: "they are murdering me!"--all right, all together once more: "they are murdering me!" and again: "murdering"... I want to write this in such a way that you will cover your ears, your membranaceous, simian ears that you hide under strands of beautiful feminine hair--but I know them, I see them, I pinch them, the cold little things, I worry them with my fingers to somehow warm them, bring them to life, render them human, force them to hear me."

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"The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind."
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"The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind."

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"I think like a genius, I write like a distinguished author, and I speak like a child."
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"I think like a genius, I write like a distinguished author, and I speak like a child."

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"The square root of I is I."
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"The square root of I is I."

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"Human life is but a series of footnotes to a vast obscure unfinished masterpiece."
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"Human life is but a series of footnotes to a vast obscure unfinished masterpiece."

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"How small the cosmos (a kangaroo's pouch would hold it), how paltry and puny in comparison to human consciousness, to a single individual recollection, and its expression in words!"
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"How small the cosmos (a kangaroo's pouch would hold it), how paltry and puny in comparison to human consciousness, to a single individual recollection, and its expression in words!"

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"The pleasures of writing correspond exactly to the pleasures of reading."
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"The pleasures of writing correspond exactly to the pleasures of reading."

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"I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles-no matter the imminent peril-these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good."
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"I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles-no matter the imminent peril-these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good."

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"Everything in the world is beautiful, but Man only recognizes beauty if he sees it either seldom or from afar. Listen, today we are gods! Our blue shadows are enormous! We move in a gigantic, joyful world!"
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"Everything in the world is beautiful, but Man only recognizes beauty if he sees it either seldom or from afar. Listen, today we are gods! Our blue shadows are enormous! We move in a gigantic, joyful world!"

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"One last word,' I said in my horrible careful English, 'are you quite, quite sure that-well, not tomorrow, of course, and not after tomorrow, but-well-some day, any day, you will not come to live with me? I will create a brand new God and thank him with piercing cries, if you give me that microscopic hope''No,' she said smiling, 'no.''It would have made all the difference,' said Humbert Humbert.Then I pulled out my automatic-I mean, this is the kind of fool thing a reader might suppose I did. It never even occurred to me to do it."
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"One last word,' I said in my horrible careful English, 'are you quite, quite sure that-well, not tomorrow, of course, and not after tomorrow, but-well-some day, any day, you will not come to live with me? I will create a brand new God and thank him with piercing cries, if you give me that microscopic hope''No,' she said smiling, 'no.''It would have made all the difference,' said Humbert Humbert.Then I pulled out my automatic-I mean, this is the kind of fool thing a reader might suppose I did. It never even occurred to me to do it."

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"Don't touch me, I'll die if you touch me."
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"Don't touch me, I'll die if you touch me."

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"There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction, and, despite John Ray's assertion, Lolita has no moral in tow. For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann."
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"There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction, and, despite John Ray's assertion, Lolita has no moral in tow. For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann."

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"Devices which in some curious new way imitate nature are attractive to simple minds."
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"Devices which in some curious new way imitate nature are attractive to simple minds."

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"The fame of his likes circulates briskly but soon grows heavy and stale, and as for history it will limit his life story to the dash between two dates."
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"The fame of his likes circulates briskly but soon grows heavy and stale, and as for history it will limit his life story to the dash between two dates."

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"I was an infant when my parents died.Thye both were ornithologists. I've triedSo often to evoke them that todayI have a thousand parents. Sadly theyDissolve in their own virtues and recede,But certain words, chance words I hear or read,Such as "bad heart" always to him refer,And "cancer of the pancreas" to her."
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"I was an infant when my parents died.Thye both were ornithologists. I've triedSo often to evoke them that todayI have a thousand parents. Sadly theyDissolve in their own virtues and recede,But certain words, chance words I hear or read,Such as "bad heart" always to him refer,And "cancer of the pancreas" to her."

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"Imagination, the supreme delight of the immortal and the immature, should be limited. In order to enjoy life, we should not enjoy it too much."
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"Imagination, the supreme delight of the immortal and the immature, should be limited. In order to enjoy life, we should not enjoy it too much."

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"There exist friendships which develop their own inner duration, their own eons of transparent time."
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"There exist friendships which develop their own inner duration, their own eons of transparent time."

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"Revelation can be more perilous than Revolution."
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"Revelation can be more perilous than Revolution."

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"Perhaps what matters is not the human pain or joy at all but, rather, the play of shadow and light on a live body, the harmony of trifles assembled...in a unique and inimitable way."
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"Perhaps what matters is not the human pain or joy at all but, rather, the play of shadow and light on a live body, the harmony of trifles assembled...in a unique and inimitable way."

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"To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute."
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"To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute."

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"This irritated or puzzled such students of literature and their professors as were accustomed to 'serious' courses replete with 'trends ' and 'schools ' and 'myths ' and 'symbols ' and 'social comment ' and something unspeakably spooky called 'climate of thought.' Actually these 'serious' courses were quite easy ones with the students required to know not the books but about the books."
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"This irritated or puzzled such students of literature and their professors as were accustomed to 'serious' courses replete with 'trends ' and 'schools ' and 'myths ' and 'symbols ' and 'social comment ' and something unspeakably spooky called 'climate of thought.' Actually these 'serious' courses were quite easy ones with the students required to know not the books but about the books."

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"He was afraid of touching his own wrist. He never attempted to sleep on his left side, even in those dismal hours of the night when the insomniac longs for a third side after trying the two he has."
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"He was afraid of touching his own wrist. He never attempted to sleep on his left side, even in those dismal hours of the night when the insomniac longs for a third side after trying the two he has."

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"I mean, I have the feeling that something in my mind is poisoning everything else."
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"I mean, I have the feeling that something in my mind is poisoning everything else."

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"I think it is all a matter of love: the more you love a memory, the stronger and stranger it is."
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"I think it is all a matter of love: the more you love a memory, the stronger and stranger it is."

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