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"Revelation can be more perilous than Revolution."
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"A court that wouldn't just change the world. It would start the world over."

"Anon from the castle wallsThe crescent banner falls,And the crowd beholds instead,Like a portent in the sky,Iskander's banner fly,The Black Eagle with double head;And a shout ascends on high,For men's souls are tired of the Turks,And their wicked ways and works,That have made of Ak-HissarA city of the plague;And the loud, exultant cryThat echoes wide and farIs: "Long live Scanderbeg!"

"Come senators, congressmenPlease heed the callDon't stand in the doorwayDon't block up the hallFor he that gets hurtWill be he who has stalledThere's a battle outside ragin'.It'll soon shake your windowsAnd rattle your wallsFor the times they are a-changin'."

"LEFTISTS EAT THEIR CHILDREN: The poets, artists, and radicals are murdered first once the "revolution" actually comes about."

"But, in general, the protective system of our day is conservative, while the free trade system is destructive. It breaks up old nationalities and pushes the antagonism of the proletariat and the bourgeoisie to the extreme point. In a word, the free trade system hastens the social revolution. It is in this revolutionary sense alone, gentlemen, that I vote in favor of free trade."

"I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'"

"The revolution is not an apple that falls when it is ripe. You have to make it fall."

"The most important of all revolutions, a revolution in sentiments, manners and moral opinions."

"I have always thought that in revolutions, especially democratic revolutions, madmen, not those so called by courtesy, but genuine madmen, have played a very considerable political part. One thing is certain, and that is that a condition of semi-madness is not unbecoming at such times, and often even leads to success."
Explore more quotes by Vladimir Nabokov


"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."


"No free man needs a God; but was I free?How fully I felt nature glued to meAnd how my childish palate loved the tasteHalf-fish, half-honey, of that golden paste!My picture book was at an early ageThe painted parchment papering our cage:Mauve rings around the moon; blood-orange sun;Twinned Iris; and that rare phenomenonThe iridule - when, beautiful and strange,In a bright sky above a mountain rangeOne opal cloudlet in an oval formReflects the rainbow of a thunderstormWhich in a distant valley has been staged -For we are most artistically caged."


"To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute."


"I was also supposed to quiz my various companions on a number of important matters such as nostalgia, fear of unknown animals, food fantasies, nocturnal emissions, hobbies, choice of radio program, changes in out look and so forth."


"Treading the soil of the moon, palpating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra... these form the most romantic sensation an explorer has ever known..."


"A destiny in the making is, believe me, not one of those honest mystery stories where all you have to do is keep an eye on the clues. In my youth I once read a French detective tale where the clues were actually in italics; but that is not McFate's way - even if one does learn to recognize certain obscure indications."


"You forget, my good man, that what the artist perceives is, primarily, the difference between things. It is the vulgar who note their resemblance."


"We are liable to miss the best of life if we do not know how to tingle, if we do not learn to hoist ourselves just a little higher than we generally are in order to sample the rarest and ripest fruit of art which human thought has to offer."


"Every author believes, when his first book is published, that those that acclaim it are his personal friends or impersonal peers, while its revilers can only be envious rogues and nonentities."
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