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"Sleep, that deplorable curtailment of the joy of life."
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"Sleep, that deplorable curtailment of the joy of life."

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"And it was the moment between six and seven when every flower-roses, carnations, irises, lilac-glows; white, violet, red, deep orange; every flower seems to burn by itself, softly purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!"
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"And it was the moment between six and seven when every flower-roses, carnations, irises, lilac-glows; white, violet, red, deep orange; every flower seems to burn by itself, softly purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!"

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2
"To whom can I expose the urgency of my own passion? There is nobody-here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone."
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"To whom can I expose the urgency of my own passion? There is nobody-here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone."

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"The possibilities of pleasure seemed that morning so enormous and so various that to have only a moth's part in life, and a day moth's at that, appeared a hard fate, and his zest in enjoying his meagre opportunities to the full, pathetic. He flew vigorously to one corner of his compartment, and, after waiting there a second, flew across to the other. What remained for him but to fly to a third corner and then to a fourth? That was all he could do, in spite of the size of the downs, the width of the sky, the far-off smoke of houses, and the romantic voice, now and then, of a steamer out at sea. What he could do he did."
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"The possibilities of pleasure seemed that morning so enormous and so various that to have only a moth's part in life, and a day moth's at that, appeared a hard fate, and his zest in enjoying his meagre opportunities to the full, pathetic. He flew vigorously to one corner of his compartment, and, after waiting there a second, flew across to the other. What remained for him but to fly to a third corner and then to a fourth? That was all he could do, in spite of the size of the downs, the width of the sky, the far-off smoke of houses, and the romantic voice, now and then, of a steamer out at sea. What he could do he did."

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"How many times have people used a pen or paintbrush because they couldn't pull the trigger?"
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"How many times have people used a pen or paintbrush because they couldn't pull the trigger?"

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4
"What is meant by 'reality'? It would seem something very erratic, very undependable-now to be found in a dusty road, now in a scrap of newspaper in the street, now in a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech-and then there it is again in an omnibus in the uproar of Picadilly."
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"What is meant by 'reality'? It would seem something very erratic, very undependable-now to be found in a dusty road, now in a scrap of newspaper in the street, now in a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech-and then there it is again in an omnibus in the uproar of Picadilly."

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13
"No passion is stronger in the breast of a man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high."
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"No passion is stronger in the breast of a man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high."

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2
"It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad."
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"It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad."

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10
"I meant to write about death, only life came breaking in as usual."
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"I meant to write about death, only life came breaking in as usual."

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"Never did anybody look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waves swayed this way and that, received it, and were at rest. Never did anybody look so sad."
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"Never did anybody look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waves swayed this way and that, received it, and were at rest. Never did anybody look so sad."

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10
"You send a boy to school in order to make friends - the right sort."
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"You send a boy to school in order to make friends - the right sort."

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"As a woman I have no country. As a woman my country is the whole world."
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"As a woman I have no country. As a woman my country is the whole world."

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9
"Life for both sexes - and I looked at them, shouldering their way along the pavement - is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion, it calls for confidence in oneself. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority - it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination - over other people."
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"Life for both sexes - and I looked at them, shouldering their way along the pavement - is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion, it calls for confidence in oneself. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority - it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination - over other people."

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"When life sank down for a moment, the range of experience seemed limitless."
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"When life sank down for a moment, the range of experience seemed limitless."

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"For what Harley Street specialist has time to understand the body, let alone the mind or both in combination, when he is a slave to thirteen thousand a year?"
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"For what Harley Street specialist has time to understand the body, let alone the mind or both in combination, when he is a slave to thirteen thousand a year?"

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"One does not like to be told that one is naturally the inferior of a little man."
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"One does not like to be told that one is naturally the inferior of a little man."

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3
"Fiction is like a spider's web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible."
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"Fiction is like a spider's web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible."

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9
"Shakespeare is getting flyblown; a paternal government might well forbid writing about him, as they put his monument at Stratford beyond the reach of scribbling fingers. With all this buzz of criticism about, one may hazard one's conjectures privately, make one's notes in the margin; but, knowing that someone has said it before, or said it better, the zest is gone. Illness, it its kingly sublimity, sweeps all that aside and leaves nothing but Shakespeare and oneself."
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"Shakespeare is getting flyblown; a paternal government might well forbid writing about him, as they put his monument at Stratford beyond the reach of scribbling fingers. With all this buzz of criticism about, one may hazard one's conjectures privately, make one's notes in the margin; but, knowing that someone has said it before, or said it better, the zest is gone. Illness, it its kingly sublimity, sweeps all that aside and leaves nothing but Shakespeare and oneself."

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2
"But love, don't we all talk a great deal of nonsense about it? What does one mean? ... It's only a story one makes up in one's mind about another person, and one knows all the time it isn't true. Of course one knows; why, one's always taking care not to destroy the illusion."
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"But love, don't we all talk a great deal of nonsense about it? What does one mean? ... It's only a story one makes up in one's mind about another person, and one knows all the time it isn't true. Of course one knows; why, one's always taking care not to destroy the illusion."

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"Then may I tell you that the very next words I read were these - 'Chloe liked Olivia'. Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women."
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"Then may I tell you that the very next words I read were these - 'Chloe liked Olivia'. Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women."

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"The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder."
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"The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder."

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2
"How then did it work out, this? How did one judge people, think of them? How did one add up this and that and conclude that it was liking one felt, or disliking?"
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"How then did it work out, this? How did one judge people, think of them? How did one add up this and that and conclude that it was liking one felt, or disliking?"

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"Humour is the first of the gifts to perish in a foreign tongue."
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"Humour is the first of the gifts to perish in a foreign tongue."

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14
"A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out."
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"A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out."

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4
"The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices in to its whiteness."
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"The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices in to its whiteness."

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"My own brain is to me the most unaccountable of machinery - always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What's this passion for?"
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"My own brain is to me the most unaccountable of machinery - always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What's this passion for?"

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"Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action."
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"Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action."

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"Arrange whatever pieces come your way."
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"Arrange whatever pieces come your way."

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18
"A woman, she had provoked this horror; a woman, she shouldh ave known how to deal with it. It was immesley to her discredit, sexually, to stand there dumb. One said - what did one say? - Oh, Mr. Ramsay! Dear Mr. Ramsay! That was what that kind old lady who sketched, Mrs. Beckwith, would have said instantly, and rightly. But, no. They stood there, isolated from the rest of the world. His immesnse self-pity, his demand for sympathy poured and and spread itself in pools at her feet, and all she did, miserable sinner that she was, was to draw her skirts a little closer round her ankles, lest she should get wet."
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"A woman, she had provoked this horror; a woman, she shouldh ave known how to deal with it. It was immesley to her discredit, sexually, to stand there dumb. One said - what did one say? - Oh, Mr. Ramsay! Dear Mr. Ramsay! That was what that kind old lady who sketched, Mrs. Beckwith, would have said instantly, and rightly. But, no. They stood there, isolated from the rest of the world. His immesnse self-pity, his demand for sympathy poured and and spread itself in pools at her feet, and all she did, miserable sinner that she was, was to draw her skirts a little closer round her ankles, lest she should get wet."

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"Her simplicity fathomed what clever people falsified."
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"Her simplicity fathomed what clever people falsified."

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3
"What a vast fertility of pleasure books hold for me! I went in and found the table laden with books. I looked in and sniffed them all. I could not resist carrying this one off and broaching it. I think I could happily live here and read forever."
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"What a vast fertility of pleasure books hold for me! I went in and found the table laden with books. I looked in and sniffed them all. I could not resist carrying this one off and broaching it. I think I could happily live here and read forever."

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"And the poem, I think, is only your voice speaking."
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"And the poem, I think, is only your voice speaking."

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"I read the book of Job last night, I don't think God comes out well in it."
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"I read the book of Job last night, I don't think God comes out well in it."

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"Let a man get up and say, Behold, this is the truth, and instantly I perceive a sandy cat filching a piece of fish in the background. Look, you have forgotten the cat, I say."
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"Let a man get up and say, Behold, this is the truth, and instantly I perceive a sandy cat filching a piece of fish in the background. Look, you have forgotten the cat, I say."

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"Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind."
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"Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind."

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11
"The lake of my mind, unbroken by oars, heaves placidly and soon sinks into an oily somnolence.' That will be useful."
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"The lake of my mind, unbroken by oars, heaves placidly and soon sinks into an oily somnolence.' That will be useful."

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"He is limp and damp and milder than the breath of a cow."
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"He is limp and damp and milder than the breath of a cow."

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"One cannot think well, love well, sleep well, if one has not dined well."
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"One cannot think well, love well, sleep well, if one has not dined well."

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12
"These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past."
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"These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past."

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3
"He felt himself now, as he had often fancied other people, adrift on the stream, and far removed from control of it, a man with no grasp upon circumstances any longer. Old battered man loafing at the doors of public-houses now seemed to be his fellows, and he felt, as he supposed them to feel, a mingling of envy and hatred towards those who passed quickly and certainly to a goal of their own. They, too, saw things very thin and shadowy, and were wafted about by the lightest breath of wind. For the substantial world, with its prospect of avenues leading on and on to the invisible distance, had slipped from him."
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"He felt himself now, as he had often fancied other people, adrift on the stream, and far removed from control of it, a man with no grasp upon circumstances any longer. Old battered man loafing at the doors of public-houses now seemed to be his fellows, and he felt, as he supposed them to feel, a mingling of envy and hatred towards those who passed quickly and certainly to a goal of their own. They, too, saw things very thin and shadowy, and were wafted about by the lightest breath of wind. For the substantial world, with its prospect of avenues leading on and on to the invisible distance, had slipped from him."

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"A feminist is any woman who tells the truth about her life."
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"A feminist is any woman who tells the truth about her life."

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7
"When I am grown up I shall carry a notebook-a fat book with many pages, methodically lettered. I shall enter my phrases."
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"When I am grown up I shall carry a notebook-a fat book with many pages, methodically lettered. I shall enter my phrases."

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"I am extremely happy walking on the downs...I like to have space to spread my mind out in."
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"I am extremely happy walking on the downs...I like to have space to spread my mind out in."

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16
"Sometimes I think heaven must be one continuous unexhausted reading."
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"Sometimes I think heaven must be one continuous unexhausted reading."

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"I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry."
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"I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry."

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"And I tried to remember any case in the course of my reading where two women are represented as friends. (...) almost without exception they are shown in their relation to men. (...) [women in fiction were] not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman's life is that."
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"And I tried to remember any case in the course of my reading where two women are represented as friends. (...) almost without exception they are shown in their relation to men. (...) [women in fiction were] not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman's life is that."

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"He is precisely the young man to fall headlong in love and repent it for the rest of his life."
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"He is precisely the young man to fall headlong in love and repent it for the rest of his life."

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"It was a miserable machine, an inefficient machine, she thought, the human apparatus for painting or for feeling; it always broke down at the critical moment; heroically, one must force it on."
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"It was a miserable machine, an inefficient machine, she thought, the human apparatus for painting or for feeling; it always broke down at the critical moment; heroically, one must force it on."

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"And the supreme mystery was simply this: here was one room; there another. Did religion solve that, or love?"
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"And the supreme mystery was simply this: here was one room; there another. Did religion solve that, or love?"

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14
"So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say."
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"So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say."

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