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"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."
Author Name
Personal Development
"Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions."
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Personal Development
"Michael would take us on location and see how the colors worked in the forests and fields."
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Personal Development
"I am just learning to notice the different colors of the stars, and already begin to have a new enjoyment."
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Personal Development
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."
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Personal Development
"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"
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Personal Development
"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
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Personal Development
"I used this line to demonstrate how important colors are in movies: It's not a caprice."
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Personal Development
"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."
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Personal Development
"There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job."
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Personal Development
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"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."
Colors
"Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself."
Art
"There is a relationship between cartooning and people like Mir= and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney."
People
"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way."
Art
"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."
Music
"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."
Thought
"I think that most people think painters are kind of ridiculous, you know?"
People
"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."
Work
"I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it."
Art
"I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way."
Art
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