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Roy Lichtenstein

"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."

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"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."

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"Some colors are very difficult to render, and you must compensate to get the color you want on the screen."

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"What a privilege to be here on the planet to contribute your unique donation to humankind. Each face in the rainbow of colors that populate our world is precious and special."

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"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

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"I loved downers, almost any kind. Loved the colors of them. Loved them yellow... I did. I would just have a bouquet in my hands at night."

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"Many a dangerous temptation comes to us in fine gay colors that are but skin-deep."

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Asa Don Brown

"Colors must fit together as pieces in a puzzle or cogs in a wheel."

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Asa Don Brown

"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."

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Asa Don Brown

"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."

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Asa Don Brown

"Michael would take us on location and see how the colors worked in the forests and fields."

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Asa Don Brown

"But what is of great importance to me is observation of the movement of colors."

Explore more quotes by Roy Lichtenstein

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Roy Lichtenstein
"Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity."
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Roy Lichtenstein
"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."
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Roy Lichtenstein
"I think that most people think painters are kind of ridiculous, you know?"
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Roy Lichtenstein
"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."
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Roy Lichtenstein
"In America the biggest is the best."
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Roy Lichtenstein
"I don't think that I'm over his influence but they probably don't look like Picassos; Picasso himself would probably have thrown up looking at my pictures."
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Roy Lichtenstein
"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."
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Roy Lichtenstein
"I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it."
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Roy Lichtenstein
"There is a relationship between cartooning and people like Mir= and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney."
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Roy Lichtenstein
"Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself."
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