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Roy Lichtenstein

"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."

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"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."

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Amber Hurdle

"The job description, like most, used complicated words that made job-hopefuls hesitant to apply because it may be out of their range of capability."

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Amber Hurdle

"We are so used to working that not working is the new hard work."

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Amber Hurdle

"And yet, troublingly, there is one difference between 'labour' and other elements [raw materials, machinery] which conventional economics does not have a means to represent, or give weight to, but which is nevertheless unavoidably present in the world: the fact that labour feels pain."

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Amber Hurdle

"A salary is a tax employers pay, every four weeks, for putting an employee's dream on hold."

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Amber Hurdle

"Work is a vehicle with which man chases some fleeting destination called a full tummy."

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Amber Hurdle

"A specialist's mind is a slave to his specialization."

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Amber Hurdle

"12% of employees eat because they are hungry. 88% of employees eat because it is 1 o'clock."

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Amber Hurdle

"I've always been amused by the contention that brain work is harder than manual labor. I've never known a man to leave a desk for a muck-stick if he could avoid it."

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Amber Hurdle

"I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work."

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Amber Hurdle

"Give a typical employee a million, and, he is most likely to use the money to print his CV on fancier paper."

Explore more quotes by Roy Lichtenstein

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Roy Lichtenstein
"Art doesn't transform. It just plain forms."
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Roy Lichtenstein
"Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself."
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Roy Lichtenstein
"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."
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Roy Lichtenstein
"Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity."
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Roy Lichtenstein
"I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way."
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Roy Lichtenstein
"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."
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Roy Lichtenstein
"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."
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Roy Lichtenstein
"I like to pretend that my art has nothing to do with me."
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Roy Lichtenstein
"In America the biggest is the best."
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Roy Lichtenstein
"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."
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