Neil Gaiman, a British author, has captivated readers with his imaginative and often darkly poetic writing across novels, comics, and short stories. Works like American Gods and Coraline have made him a literary icon, known for blending mythology, fantasy, and the human experience. Gaiman's creativity and fearlessness in exploring new worlds have inspired countless writers, artists, and fans worldwide. His legacy encourages us to embrace our imaginations, take risks in our creative endeavors, and to craft stories that resonate on a universal scale.
"Television and cinema were all very well, but these stories happened to other people. The stories I found in books happened inside my head. I was, in some way, there.It's the magic of fiction: you take the words and you build them into worlds."
"I don't think that I've been in love as suchAlthough I liked a few folk pretty wellLove must be vaster than my smiles or touchfor brave men died and empires rose and fellFor love, girls follow boys to foreign landsand men have followed women into hellIn plays and poems someone understandsthere's something makes us more than blood and boneand more than biological demands For me love's like the wind, unseen, unknownI see the trees are bending where it's beenI know that it leaves wreckage where it's blownI really don't know what "I love you" meansI think it means "don't leave me here alone."
"Fictions are merely frozen dreams, linked images with some semblance of structure. They are not to be trusted, no more than the people who create them."
"People tell you so much more when they know you're just about to be dead . and then they talk around you, when you are."
"Of course, everyone's parents are embarrassing. It goes with the territory. The nature of parents is to embarrass merely by existing, just as it is the nature of children of a certain age to cringe with embarrassment, shame, and mortification should their parents so much as speak to them on the street."
"I believe we have an obligation to read for pleasure, in private and in public places. If we read for pleasure, if others see us reading, then we learn, we exercise our imaginations. We show others that reading is a good t."
"The burning point of paper was the moment where I knew that I would have to remember this. Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will be come them. We become authors. We become their books."
"It is good for children to find themselves facing the elements of a fairy tale - they are well-equipped to deal with these."
"Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives."
"You know what my mum once said?' said Rosie. 'She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.'And this means?'Well', she said. 'It's interesting, isn't it?"
"A book is a little empathy machine. It puts you inside somebody else's head. You see out of the world through somebody else's eyes. It's very hard to hate people of a certain kind when you've just read a book by one of those people."
"So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life."
"Doing fine, thank you, I would say, never knowing how to talk about what I do. If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my heart. Some of them. Not all."
"There is another version of the tale. That is the tale the women tell each other, in their private language that the men-children are not taught, and that the old men are too wise to learn. And in that version of the tale perhaps things happened differently. But then, that is a women's tale, and it is never told to men."
"Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters."
"I wanted stories, and I wanted them always, and I wanted the experience that only fiction could give me: I wanted to be inside them."
"Frogs, ducks, rhinos, octopuses " whatever you desire. The world will be built new for you every morning. If you stay here, you can have whatever you want.' Coraline sighed. 'You really don't understand, do you?' she said. 'I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted? Just like that, and it didn't mean anything. What then?"
"People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song."
"The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (That may be a rule for life as well as for writing. But it's definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter."
"I just want you to know,' said the girl, coldly, 'that whoever you are and whatever you intend with me, I shall give you no aid of any kind, nor shall I assist you, and I shall do whatever is in my power to frustrate your plans and devices.' And then she added, with feeling, 'Idiot."
"They were not my friends, after all. They were just the people I went to school with."
"Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not. You stand two of you lot next to each other, and you could be continents away for all it means anything."
"You know I love you,' said the other mother flatly.'You have a very funny way of showing it,' said Coraline."
"It is said that scattered through Despair's domain are a multitude of tiny windows, hanging in the void. Each window looks out onto a different scene, being, in our world, a mirror. Sometimes you will look into a mirror and feel the eyes of Despair upon you, feel her hook catch and snag on your heart. Despair says little, and is patient."
"She became certain that there was something in the dark behind her: something very old and very slow. Her heart beat so hard and so loudly she was scared it would burst out of her chest."