Leslie Fiedler, an American literary critic, is known for his groundbreaking work in examining the intersection of literature, culture, and society. Fiedler's critical essays, particularly his book Love and Death in the American Novel, challenged conventional views on race, sexuality, and American identity. His bold analysis opened new perspectives for readers and critics alike, encouraging a deeper understanding of literary works and their social implications. Fiedler's legacy continues to inspire scholars and readers to approach literature with a critical eye and to challenge norms that limit understanding and expression.

"It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end."



"When I was 12 years old, someone took me to see Martha Graham. It was nothing like what I thought of as serious dancing and even then I knew I was having a great experience. It was as if somebody was moving through space like no one ever did before."


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"I gave up writing blurbs because you make one friend and 200 enemies."



"Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better."



"If there's one thing I can't stand, it's somebody doing something because I pushed them in that direction."



"Faulkner sat in our living room and read from Light in August. That was incredible."



"Foucault was the one person I met in France that I could talk to. He was a mensch. You know whether you agree with him or not because you know what he is saying."



"I have, I admit, a low tolerance for detached chronicling and cool analysis."



"Faulkner turned out to be a great teacher. When a student asked a question ineptly, he answered the question with what the student had really wanted to know."



"Raymond Carver is good. I think he'll be appreciated more and more. He's an easy writer to imitate."



"Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present."



"Cooper wrote a novel which is absolutely indistinguishable from Austen, completely from a female point of view, completely English, no sense that he was an American."



"Henry Miller wrote novels, but he calls his protagonist Henry, often Henry Miller, and his books are in this gray area between memoir and novel."

