"It's a great city, Paris, a beautiful city""and""it was very good for me."

"There appears to be a vast amount of confusion on this point, but I do not know many Negroes who are eager to be "accepted" by white people, still less to be loved by them; they, the blacks, simply don't wish to be beaten over the head by the whites every instant of our brief passage on this planet. White people in this country will have quite enough to do in learning how to accept and love themselves and each other, and when they have achieved this -- which will not be tomorrow and will not be today and may very well be never -- the Negro problem will no longer exist, for it will no longer be needed."

"My father's attitude was that this was but an inevitable phase of my growing up and he affected to take it lightly. But beneath his jocular, boys-together air, he was at a loss, he was frightened. Perhaps he had supposed that my growing up would bring us closer together- whereas, now that he was trying to find out something about me, I was in full flight from him. I did not want him to know me. I did not want anyone to know me. And then, again, I was undergoing with my father what the very young inevitably undergo with their elders: I was beginning to judge him. And the very harshness of this judgment, which broke my heart, revealed, though I could not have said it then, how much I had loved him, how that love, along with my innocence, was dying."

"The first love disappears, but never goes. That ache becomes reconciliation."

"Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt there history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx."

"It is a very rare man who does not victimize the helpless."

"A great deal of what I say just leaves me open, I suppose, to a vast amount of misunderstanding. A great deal of what I say is based on an assumption which I hold and don't always state. You know my fury about people is based precisely on the fact that I consider them to be responsible, moral creatures who so often do not act that way. But I am not surprised when they do. I am not that wretched a pessimist, and I wouldn't sound the way I sound if I did not expect what I expect from human beings, if I didn't have some ultimate faith and love, faith in them and love for them. You see, I am a human being too, and I have no right to stand in judgment of the world as though I am not a part of it. What I am demanding of other people is what I am demanding of myself."

"Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always be seen as untimely. This is because a real writer is always shifting and changing and searching. The world has many labels for him, of which the most treacherous is the label of 'Success."

"I don't give a damn if there's any hope for them or not. But I know that I am not about to be bugged by any more white jokers who still can't figure out whether I'm human or not. If they don't know, baby, sad on them, and I hope they drop dead slowly, in great pain."

"What the times demand, and in an unprecedented fashion, is that one be--not seem--outrageous, independent, anarchical. That one be thoroughly disciplined--as a means of being spontaneous. That one resist at whatever cost the fearful pressures placed on one to lie about one's own experience. For in the same way that the writer scarcely ever had a more uneasy time, he has never been needed more."

"We had our arms round each other. It was like holding in my hand some rare, exhausted, nearly doomed bird which I had miraculously happened to find."

"Ain't no such thing as a little fault or a big fault. Satan get his foot in the door, he ain't going to rest till he's in the room. You is in the Word or you ain't--ain't no halfway with God."

"I don't know any writers who don't drink."

"He wanted me to come home--to come home, as he said, and settle down, and whenever he said that I thought of the sediment at the bottom of a stagnant pond."

"Precisely at the point when you begin to develop a conscience you must find yourself at war with your society."

"I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything."

"It took many years of vomiting up all the filth I'd been taught about myself, and half-believed, before I was able to walk on the earth as though I had a right to be here."

"Whereas Jesus and his disciples were distrusted by the state largely because they respected the poor and shared everything, the fundamentalists of the present hour would appear not to know that the poor exist."

"Perhaps home is not a place but simply an irrevocable condition."

"The reason people think it's important to be white is that they think it's important not to be black."

"It takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare."

"The responsibility of a writer is to excavate the experience of the people who produced him."

"It is only in his music, which Americans are able to admire because a protective sentimentality limits their understanding of it, that the Negro in America has been able to tell his story."

"I remember that life in that room seemed to be occurring beneath the sea, time flowed past indifferently above us, hours and days had no meaning. In the beginning our life held a joy and amazement which was newborn every day. Beneath the joy, of course, was anguish and beneath the amazement was fear; but they did not work themselves to the beginning until our high beginning was aloes on our tongues. By then anguish and fear had become the surface on which we slipped and slid, losing balance, dignity, and pride."

"Whether in private debate or in public, any attempt I made to explain how the Black Muslim movement came about, and how it has achieved such force, was met with a blankness that revealed the little connection that the liberals' attitudes have with their perceptions or their lives, or even their knowledge-revealed, in fact, that they could deal with the Negro as a symbol or a victim but had no sense of him as a man."

"The South is very beautiful but its beauty makes one sad because the lives that people live here, and have lived here, are so ugly."

"Try to imagine how you would feel if you woke up one morning to find the sun shining and all the stars aflame. You would be frightened because it is out of the order of nature. Any upheaval in the universe is terrifying because it so profoundly attacks one's sense of one's own reality. Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundation."

"And have brought humanity to the edge of oblivion: because they think they are white."

"Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore."

"Then the door is before him. There is darkness all around him, there is silence in him. Then the door opens and he stands alone, the whole world falling away from him. And the brief corner of the sky seems to be shrieking, though he does not hear a sound. Then the earth tilts, he is thrown forward on his face in darkness, and his journey begins."

"But it was not the room's disorder which was frightening; it was the fact that when one began searching for the key to this disorder, one realized that it was not to be found in any of the usual places. For this was not a matter of habit or circumstance or temperament; it was a matter of punishment and grief."

"Ultimately, the artist and the revolutionary function as they function, and pay whatever dues they must pay behind it because they are both possessed by a vision, and they do not so much follow this vision as find themselves driven by it. Otherwise, they could never endure, much less embrace, the lives they are compelled to lead."

"All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up."

"You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive."

"The necessity, then, of those "lesser breeds without the law-those wogs, barbarians, niggers-is this: one must not become more free, not become more base than they: must not be used as they are used, nor yet use them as their abandonment allows one to use them: therefore, they must be civilized. But, when they are civilized, they may simply "spuriously imitate [the civilizer] back again, leaving the civilizer with no satisfaction on which to rest."

"I met a lot of people in Europe. I even encountered myself."

"I guess it can't be too often that two people can laugh and make love, too, make love because they are laughing, laugh because they're making love. The love and the laughter come from the same place: but not many people go there."

"But the conquest of the physical world is not man's only duty. He is also enjoined to conquer the great wilderness of himself. The precise role of the artist, then, is to illuminate that darkness, blaze roads through that vast forest, so that we will not, in all our doing, lose sight of its purpose, which is, after all, to make the world a more human dwelling place."

"I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act.I simply wondered about the dead because their days had ended and I did not know how I would get through mine."

"In the realm of power, Christianity has operated with an unmitigated arrogance and cruelty-necessarily, since a religion ordinarily imposes on those who have discovered the true faith the spiritual duty of liberating the infidels. This particular true faith, moreover, is more deeply concerned about the soul than it is about the body, to which fact the flesh (and the corpses) of countless infidels bears witness."

"Confronted with the impossibility of remaining faithful to one's beliefs, and the equal impossibility of becoming free of them, one can be driven to the most inhuman excesses."

"No one knows very much about the life of another. This ignorance becomes vivid, if you love another. Love sets the imagination on fire, and, also, eventually, chars the imagination into a harder element: imagination cannot match love, cannot plunge so deep, or range so wide."

"The real troubles with living is that living is so banal."

"I had been sent away to help guarantee and perpetuate this indifference. No one, here, knew what was happening anywhere else. Perhaps no one ever knows that, anywhere: wherever "here" may be, it must always happen "here" before it can be perceived to have happened. And then, it is not really perceived, it is simply endured. Out of this endurance come, for the most part, alas, monuments, legends, and lies. People cling to these in order to deny that what happened is always happening; that what happened is not an event skewered and immobilized by time, but a continuing and timeless mirror of ourselves."

"Know from whence you came. If you know whence you came, there are absolutely no limitations to where you can go."

"Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have."

"The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world."

"But to look back from the stony plain along the road which led one to that place is not at all the same thing as walking on the road; the perspective to say the very least, changes only with the journey; only when the road has, all abruptly and treacherously, and with an absoluteness that permits no argument, turned or dropped or risen is one able to see all that one could not have seen from any other place."

"Whose little boy are you?"

"I am someone who represents a very complex country which insists on being simple-minded. And simplicity, it occurs to me, it has occurred to me more than once, in my somewhat stormy life, simplicity is taken to be a great American virtue, along with sincerity. And the result of this is, if you are simple-minded enough, you can become-I didn't want to go that far laughs. And as long as you're sincere in what you say, you haven't got to know what you're talking about. These are the American virtues-two of them anyway. One of the results of this is that immaturity is taken to be a virtue too."