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"I guess it can't be too often that two people can laugh and make love, too, make love because they are laughing, laugh because they're making love. The love and the laughter come from the same place: but not many people go there."
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"Some people are like thorns. But you have to let them be thorns, because thorns can't turn into petals. The trick is not letting them prick you; never let a thorn prick you!"
"Those who laugh with you when you laugh are acquaintances, those who cry with you when you cry are companions, and those who do both are friends."
"Behind you, leave your enemies. Beside you, keep your family. Around you, maintain your friends. Within you, cherish God."
"Ok. You fuck me, then snub me. You love me, you hate me. You show me a sensitive side, then you turn into a total asshole. Is this a pretty accurate description of our relationship."
"You've got to know when to let a woman go if you want to keep her,and if you don't want to keep her you let her go anyhow so it's always a process of letting go, one way or the other."
"Man loves pleasure. But women desire purposeful commitment."
"Enemies are often former or potential friends who have been denied - or think that they have been denied - something."
"Behind you, leave your enemies. Beside you, keep your family. Around you, maintain your friends. Within you, treasure God."
"Just because our friendship has changed and now we grow in different directions, does not mean that we have to grow apart."
"I just want one person I can rescue and I want one person who needs me. Who can't live without me. I want to be a hero, but not just one time."
Explore more quotes by James Baldwin
"An identity would seem to be arrived at by the way in which the person faces and uses his experience."
"The responsibility of a writer is to excavate the experience of the people who produced him."
"Elisha,' he said, 'no matter what happens to me, where I go, what folks say about me, no matter what anybody says, you remember - please remember - I was saved. I was there."
"There is an illusion about America, a myth about America to which we are clinging which has nothing to do with the lives we lead and I don't believe that anybody in this country who has really thought about it or really almost anybody who has been brought up against it--and almost all of us have one way or another--this collision between one's image of oneself and what one actually is is always very painful and there are two things you can do about it, you can meet the collision head-on and try and become what you really are or you can retreat and try to remain what you thought you were, which is a fantasy, in which you will certainly perish."
"Any real change implies the breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long possessed that he is set free - he has set himself free - for higher dreams, for greater privileges."
"It seems to me that one ought to rejoice in the fact of death-- ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible to life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. One must negotiate this passage as nobly as possible, for the sake of those who are coming after us."
"That the world calls morality is nothing but the dream of safety. That's how the world gets to be so fucking moral. The only way to know that you are safe is to see somebody else in danger-otherwise you can't be sure if you're safe."
"All art is a kind of confession more or less oblique. All artists if they are to survive are forced at last to tell the whole story to vomit the anguish up."
"Well,' I said, 'Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn't what you feel in New York - 'He was smiling. I stopped.'What do you feel in New York?' he asked.'Perhaps you feel,' I told him, 'all the time to come. There's such power there, everything is in such movement. You can't help wondering-I can't help wondering-what it will all be like-many years from now."
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