Haruki Murakami, a Japanese writer, is celebrated worldwide for his unique blend of surrealism, philosophy, and human emotion in novels such as Norwegian Wood and 1Q84. His thought-provoking storytelling, which often explores themes of loneliness and self-discovery, inspires readers to embrace the complexity of human life and to reflect on the deeper aspects of existence. Murakami's ability to blend the ordinary with the extraordinary has earned him a loyal following and encouraged other writers to explore the boundaries of reality.
"Don't you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there's a huge possibility you'll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn't that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don't you find that scary?"
"All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning."
"You mean machines are like humans?"I shook my head. "No, not like humans. With machines the feeling is, well, more finite. It doesn't go any further. With humans it's different. The feeling is always changing. Like if you love somebody, the love is always shifting or wavering. It's always questioning or inflating or disappearing or denying or hurting. And the thing is, you can't do anything about it, you can't control it. With my Subaru, it's not so complicated."
"I don't think it's a question of liking or disliking it," Tengo said..."It was the one thing he was best at." "Hmm. I see," Kumi said. She pondered this. "But that might very well be the best way to live your life."
"I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life."
"Talent can be a nice thing to have sometimes. You look good, attract attention, and if you're lucky, you make some money. Women flock to you. In that sense, having talent's preferable to having none. But talent only functions when it's supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn. If talent's the foundation you rely on, and yet it's so unreliable that you have no idea what's going to happen to it the next minute, what meaning does it have?"
"There is nothing in this world that never takes a step outside a person's heart."
"I hurt myself deeply, though at the time I had no idea how deeply. I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centred, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal."
"It's a dark, cool, quiet place. A basement in your soul. And that place can sometimes be dangerous to the human mind. I can open the door and enter that darkness, but I have to be very careful. I can find my story there. Then I bring that thing to the surface, into the real world."
"Latter-day capitalism. Like it or not, it's the society we live in. Even the standard of right and wrong has been subdivided, made sophisticated. Within good, there's fashionable good and unfashionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match. Like pulling on a Missoni sweater over Trussardi slacks and Pollini shoes, you can now enjoy hybrid styles of morality. It's the way of the world -- philosophy starting to look more and more like business administration."
"I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself."
"What i'm trying to say is this. A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propogating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it - even if the person himself wants to stop it."
"You live by yourself for a stretch of time and you get to staring at different objects. Sometimes you talk to yourself. You take meals in crowded joints. You develop an intimate relationship with your used Subaru. You slowly but surely become a has-been."
"Maybe that's why people don't like you. You make it obvious you don't care whether people like you or not. That makses some people angry."
"Everything in the world has its reasons for doing what it does. The wind has its reasons. We just don't notice as we go about our lives. But then, at some point, we are made to notice. The wind envelops you with a certain purpose in mind, and it rocks you. The wind knows everything that's inside you. And not just the wind. Everything, including a stone. They all know us very well. From top to bottom. It only occurs to us at certain times. And all we can do is go with those things. As we take them in, we survive, and deepen."
"Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)"
"I must be in love with this woman, Sumire realized with a start. Nomistake about it. Ice is cold; roses are red; I'm in love. And thislove is about to carry me off somewhere. This current's toooverpowering; I don't have any choice. It may very well be a specialplace, some place I've never seen before. Danger may be lurkingthere, something that may end up wounding me deeply, fatally. I mightend up losing everything. But there's no turning back. I can only gowith the flow. Even if it means I'll be burned up, gone forever."
"You want to know why you felt that way about me even though you didn't love me."
"It was as if my whole life revolved around trying to judge the appropriate point in a conversation to say goodbye."
"No two human beings are alike; it's a question of identity. And what is identity? The cognitive system arisin' from the aggregate memories of that individual's past experiences. The layman's word for this is the mind. Not two human beings have the same mind. At the same time, human beings have almost no grasp of their own cognitive systems. I don't, you don't, nobody does. All we know-or think we know-is but a fraction of the whole cake. A mere tip of the icing."
"That's gotta be one of the principles behind reality. Accepting things that are hard to comprehend, and leaving them that way."
"At the same time that 'I' am the content of a relation, 'I' am also that which does the relating."
"In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness."
"When you sneak into somebody's backyard, it does seem that guts and curiosity are working together. Curiosity can bring guts out of hiding at times, maybe even get them going. But curiosity usually evaporates. Guts have to go for the long haul. Curiosity's like a fun friend you can't really trust. It turns you on and then it leaves you to make it on your own-with whatever guts you can muster."
"I don't dream. Come to think of it, i haven't had any dreams in a long time."
"Still, the time I spent with her was more precious than anything. She helped me forget the undertone of loneliness in my life. She expanded the outer edges of my world, helped me draw a deep, soothing breath. Only Sumire could do that for me."
"Sometimes fate is like a small sandstorm that keeps changing direction."
"Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off."
"One other thing I learned from working in a company was that the majority of people in the world have no problem following orders. They're actually happy to be told what to do. They might complain, but that's not how they really feel. They just grumble out of habit. If you told them to think for themselves, and make their own decisions and take responsibility for them, they'd be clueless."