"Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library."

"I went on loving him just the same, and I could never be interested in anyone else."

"The early autumn sun glinted on the water, an enormous mirror ground to powder and scattered."

"Writing things was important, wasn't it? Nakata asked.'Yes, it was. The process of writing was important. Even though the finished product is completely meaningless."

"For some reason all the middle-aged women he knew were very efficient."

"I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished."

"Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another."

"The silence is so deep it hurts our ears."

"Surfing's a more profound kind of sport than it looks. When you surf, you learn not to fight the power of nature, even if it gets violent."

"Sorel's basic character flaws had all cemented by the age of fifteen, a fact which further elicited my sympathy. To have all the building blocks of your life in place by that age was, by any standard, a tragedy. It was as good as sealing yourself into a dungeon. Walled in, with nowhere to go but your own doom. Walls. A world completely surrounded by walls."

"I have met many different people in the course of my life, some of whom I have come to know pretty well, but where these three traits are concerned, I had never encountered anyone before Seiji Ozawa with whom I found it so easy and natural to identify. In that sense, he is a precious person to me. It sets my mind at ease to know that there is someone like him in the world."

"If she did experience sex--or something close to it--in high school, I'm sure it would have been less out of sexual desire or love than literary curiosity."

"I closed my eyes and tried to sleep. But it was not until much later that I was able to get any real sleep. In a place far away from anyone or anywhere, I drifted off for a moment."

"Civilization is communication. When that which should be expressed and transmitted is lost, civilization comes to an end."

"There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for."

"But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't going anywhere. I was myself, waiting on the shore for me to return. Was that so depressing?Who knows? Maybe that was 'despair.' What Turgenev called 'disillusionment.' Or Dostoyevsky, 'hell.' Or Somerset Maugham, 'reality.' Whatever the label, I figured it was me."

"In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half."

"I'd swallow some whiskey and listen to the waves while I thought about Naoko. It was too strange to think that she was dead and no longer part of this world. I couldn't absorb the truth of it. I couldn't believe it. I had heard the nails being driven into the lid of her coffin, but I still couldn't adjust to the fact that she had returned to nothingness."

"Those were strange days, now that I look back at them. In the midst of life, everything revolved around death."

"The very thought of such people's intolerant worldview, their inflated sense of self superiority, and their callous imposition of their own beliefs on others was enough to fill her with rage."

"All you have to do is wait. Sit tight and wait for the right moment. Not try to change anything by force, just watch the drift of things. Make an effort to cast a fair eye on everything. If you do that, you just naturally know what to do. But everyone's always too busy. They're too talented, their schedules are too full. They're too interested in themselves to think about what's fair."

"Oshima's silent for a time as he gazes at the forest, eyes narrowed. Birds are flitting from one branch to the next. His hands are clasped behind his head. "I know how you feel," he finally says. "But this is something you have to work out on your own. Nobody can help you. That's what love's all about, Kafka. You're the one having those wonderful feelings, but you have to go it alone as you wander through the dark. Your mind and body have to bear it all. All by yourself."

"Reality is created out of confusion and contradiction, and if you exclude those elements, you're no longer talking about reality. You might think that --by following language and a logic that appears consistent-- you're able to exclude that aspect of reality, but it will always be lying in wait for you, ready to take its revenge."

"To him, they looked like shadows that his wife had left behind. Size 7 shadows of his wife hung there in long rows, layer upon layer, as if someone had gathered and hung up samples of the infinite possibilities (or at least the theoretically infinite possibilities) implied in the existence of a human being."

"I'll be happy if running and I can grow old together."

"The second whiskey is always my favorite. From the third on, it no longer has any taste. It's just something to pour into your stomach."

"For me, it was a lonely season. Whenever I got home and took off my clothes, I felt as if any second my bones would burst through my skin. Like some unknown force inside me had taken a wrong turn somewhere, and was leading me off in some strange direction to another world."

"It's hard not being able to see you, but my life in Tokyo would be a lot worse if it weren't for you."

"Even at a time like this, the street is bright enough and filled with people coming and going-people with places to go and people with no place to go; people with a purpose and people with no purpose; people trying to hold time back and people trying to urge it forward."

"Like Naokuo, I'm not really sure what it means to love another person. Though she meant it a little differently. I do want to try my best though. I have to, or else I won't know where to go. Like you said before, Naoko and I have to save each other. It's the only was for us to be saved!"

"A cell is just a room if you don't lock the door."

"My peak? Would I even have one? I hardly had had anything you could call a life. A few ripples. some rises and falls. But that's it. Almost nothing. Nothing born of nothing. I'd loved and been loved, but I had nothing to show. It was a singularly plain, featureless landscape. I felt like I was in a video game. A surrogate Pacman, crunching blindly through a labyrinth of dotted lines. The only certainty was my death."

"An apparently trivial indulgence in lust or anger today is the loss of a ridge or railway line or bridgehead from which the enemy may launch an attack otherwise impossible."

"You are 27 or 28 right? It is very tough to live at that age. When nothing is sure. I have sympathy with you."

"It was""how shall I put it?""a painfully solitary building. Let me explain. Say we have a concept. It goes without saying that there will be slight exceptions to that norm. Now, over time these exceptions spread like stains until finally they form a separate concept. To which other exceptions crop up. It was that kind of building, some ancient life form that had evolved blindly, toward who knows what end."

"In other words, Shozaburo Takitani was now alone in the world. This was no great shock to him, however, nor did it make him feel particularly sad or miserable. He did, of course, experience some sense of absence, but he felt that, eventually, life had to turn out more or less like this. Everyone ended up alone sooner or later."

"Sometimes when I look at you, I feel I'm gazing at a distant star. It's dazzling, but the light is from tens of thousands of years ago.Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything."

"I don't think I'd want Mickey Mouse pimping for me anyway."

"Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment."

"You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value."--Nimit in "Thailand."

"I have a lot more patience for others than I have for myself, and I am much better at bringing out the best in others than in myself. That's just the kind of person I am. I'm the scratchy stuff on the side of the matchbox."

"I've had sex with lots of guys, but I think I did it mostly out of fear. I was scared not to have somebody putting his arms around me, so I could never say no. That's all. Nothing good ever came of sex like that. All it does is grind down the meaning of life a piece at a time."

"The most important thing we ever learn at school is the fact that the most important things can't be learned at school."

"Thinking about lunch. Smoked salmon with pedigreed lettuce and razor-sharp slices of onion that have been soaked in ice water, brushed with horseradish and mustard, served on French butter rolls baked in the hot ovens of Kinokuniya. A sandwich made in heaven."

"Ok I'm not so smart I'm working class. But it's the working class that keeps the world running and it's the working class that get exploited. What kind revolution is it that just throws out big words that working class people can't understand.Revolution or not the working class will just keep on scraping a living in the same old shitholesI'm not going to believe in any damned revolution. Love is all I'm going to believe in. -- Midori."

"I don't have a thing," Tengo said, "except my soul.""Sounds like a job for Mephistopheles," she said."

"It's really difficult to talk about dead people, but it's even harder to talk about dead young women. It's because from the time they die, they'll be young forever. On the other hand, for us, the survivors, every year, every month, every day, we get older.Sometimes, I feel like I can feel myself aging from one hour to the next. It's a terrible thing, but that's reality."

"Es decir..., lo que yo creo es que el hombre piensa en el significado de la vida porque sabe con certeza que va morir algAon dAa. (...) Nadie sabe lo que va a ocurrir. Por eso nosotros, para evolucionar necesitamos la muerte."

"Being tough isn't in and of itself a bad thing. Looking back on it, though, I can see I was too used to being strong, and never tried to understand those who were weak. I was too used to being fortunate, and didn't try to understand those less fortunate. Too used to being healthy, and didn't try to understand the pain of those who weren't. Whenever I saw a person in trouble, somebody paralyzed by events, I decided it was entirely his fault""he just wasn't trying hard enough. People who complained were just plain lazy. My outlook on life was unshakable, and practical, but lacked any human warmth. And not a single person around me pointed this out.' - Miu."

"I skipped the thirty-one years between 1938 and 1965 and jumped to the section entitled "Junitaki Today. Of course, the book's "today being 1970, it was hardly today's "today. Still, writing the history of one town obviously imposed the necessity of bringing it up to a "today. And even if such a today soon ceases to be today, no one can deny that it is in fact a today. For if a today ceased to be today, history could not exist as history."