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Chuck Close, a pioneering American artist, revolutionized portraiture with his innovative approach to painting, employing grid-based techniques to create strikingly realistic images that challenge perceptions of identity and representation, pushing the boundaries of artistic expression and redefining the genre for generations to come.
"Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object."
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"Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object."

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"It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians."
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"It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians."

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"You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same."
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"You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same."

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"It's always a pleasure to talk about someone else's work."
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"It's always a pleasure to talk about someone else's work."

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"I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around."
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"I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around."

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"What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look."
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"What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look."

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"I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is."
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"I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is."

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"I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings."
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"I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings."

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"I wanted to translate from one flat surface to another. In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place."
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"I wanted to translate from one flat surface to another. In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place."

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"I'm plagued with indecision in my life. I can't figure out what to order in a restaurant."
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"I'm plagued with indecision in my life. I can't figure out what to order in a restaurant."

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"I'm very learning-disabled, and I think it drove me to what I'm doing."
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"I'm very learning-disabled, and I think it drove me to what I'm doing."

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"Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience."
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"Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience."

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"I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have."
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"I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have."

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"Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow."
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"Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow."

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"Sometimes I really want to paint somebody and I don't get a photograph that I want to work from."
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"Sometimes I really want to paint somebody and I don't get a photograph that I want to work from."

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"Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work."
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"Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work."

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