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Chuck Close

"I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings."

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"I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings."

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"Many a dangerous temptation comes to us in fine gay colors that are but skin-deep."

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"Michael would take us on location and see how the colors worked in the forests and fields."

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"There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job."

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"The colors I use may clash or vibrate against one another but this is done intentionally."

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"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."

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"There are lighter colors of granite and I like to break the rules."

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"I used this line to demonstrate how important colors are in movies: It's not a caprice."

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"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."

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"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."

Explore more quotes by Chuck Close

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Chuck Close
"You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same."
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Chuck Close
"Sometimes I really want to paint somebody and I don't get a photograph that I want to work from."
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Chuck Close
"I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is."
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Chuck Close
"It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians."
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Chuck Close
"Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience."
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Chuck Close
"Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow."
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Chuck Close
"What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look."
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Chuck Close
"Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work."
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Chuck Close
"It's always a pleasure to talk about someone else's work."
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Chuck Close
"I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around."
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