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"You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same."
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"Is art really the priesthood that demands the pure in heart who belong to it wholly?"

"Perhaps this is the purpose of all art, all writing, on the murders, fiction and non-fiction: Simply to participate."

"Treat a work of art like a prince. Let it speak to you first."

"The vitality of a new movement in Art must be gauged by the fury it arouses."

"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."

"Create with the heart, build with the mind."
Explore more quotes by Chuck Close

"Sometimes I really want to paint somebody and I don't get a photograph that I want to work from."

"I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is."

"It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians."

"Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience."

"Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow."

"What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look."

"Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work."

"I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around."

"Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object."
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