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"Fate is cruel but maybe not random. Nature (meaning Death) always wins but that doesn't mean we have to bow and gravel to it."
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"Plot twist: everything goes exactly as planned."
"It seems when Opportunity knocks, Fate shows up to open the door."
"Tis no wonder, says one of the ancients, that chance has so great a dominion over us, since it is by chance we live."
"If the whole world is evil, then the tragedy that befell you is justified," she went on. "That would make it easier for you to accept the deaths of your wife and daughters. But if good people do exist, then, however much you deny it, your life will be unbearable; because fate set a trap for you, and you know you didn't deserve it. It isn't the light you want to recover, it's the certainty that there is only darkness."
"Antonio: Will you stay no longer? nor will you not that I go with you? Sebastian: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you."
"There's that day when you realize that everything that happened before that one person found you, probably happened to prepare you and to prepare everything, for that person's arrival. It's not that everything suddenly "makes sense" but it's more that you understand why this didn't work and that didn't work and you fell into this ditch and you broke a certain bone somewhere. It's so they'd find you. Or so that you'd find them. So you'd find each other."
"The ancients believed in Fate because they recognized how hard it is for anyone to change anything. The pull of past and future is so strong that the present is crushed by it. We lie helpless in the force of patterns inherited and patterns re-enacted by our own behavior. The burden is intolerable."
Explore more quotes by Donna Tartt
"I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for."
"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."
"The novel is about five students of classics who are studying with a classics professor, and they take the ideas of the things that they're learning from him a bit too seriously, with terrible consequences."
"You'd be surprised, Theo." she said, leaning back in her shawl-shaped chair, "what small, everyday things can lift us out of despair. But nobody can do it for you. You're the one who has to watch for the open door."
"Why does that obstinate little voice in our heads torment us so?' he said, looking round the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls - which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self?"
"I like the idea of living in a city - any city, especially a strange one - like the thought of traffic and crowds, of working in a bookstore, waiting tables in a coffee shop, who knew what kind of odd, solitary life I might slip into? Meals alone, waling the dogs in the evenings; and nobody knowing who I was."
"Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist."
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