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David Foster Wallace

"Talent is its own expectation, Jim: you either live up to it or it waves a hankie, receding forever."

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"Talent is its own expectation, Jim: you either live up to it or it waves a hankie, receding forever."

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Amber Hurdle

"I like to think of sales as the ability to gracefully persuade, not manipulate, a person or persons into a win-win situation."

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Amber Hurdle

"If I drive myself to the brink of my ability, then I don't get stale or bored."

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Amber Hurdle

"The size of a fish does not determine its speed."

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Amber Hurdle

"Talent can be a nice thing to have sometimes. You look good, attract attention, and if you're lucky, you make some money. Women flock to you. In that sense, having talent's preferable to having none. But talent only functions when it's supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn. If talent's the foundation you rely on, and yet it's so unreliable that you have no idea what's going to happen to it the next minute, what meaning does it have?"

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Amber Hurdle

"You honor me greatly and beyond my ability as an individual but in so doing you honor my colleagues also who made possible the results you have cited."

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Amber Hurdle

"I believe the greatest asset a head of state can have is the ability to get a good night's sleep."

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Amber Hurdle

"I was the kind of kid that had some talents or ability, but it never came out in school."

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Amber Hurdle

"I feel pretty confident in my own ability."

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Amber Hurdle

"Nonchalance is the ability to remain down to earth when everything else is up in the air."

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Amber Hurdle

"I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep."

Explore more quotes by David Foster Wallace

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David Foster Wallace
"Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh."
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David Foster Wallace
"Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."
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David Foster Wallace
"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."
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David Foster Wallace
"Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?""I give.""You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog."
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David Foster Wallace
"I think the world divides neatly into those who are excited by the managed induction of terror and those who are not. I do not find terror exciting. I find it terrifying. One of my basic goals is to subject my nervous system to as little total terror as possible. The cruel paradox of course is that this kind of makeup usually goes hand in hand with a delicate nervous system that's extremely easy to terrify."
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David Foster Wallace
"Be on guard. The road widens, and many of the detours are seductive."
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David Foster Wallace
"The fraud part of me was always there, just as a puzzle piece, objectively speaking, is a true piece of the puzzle even before you see how it fits."
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David Foster Wallace
"LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage."
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David Foster Wallace
"We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story."
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David Foster Wallace
"A manual for how to build a mentally ill child."
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