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Casey Kasem

"We gave the show away and in return, we received a certain number of minutes per hour for the three-hour show that we could sell to Madison Avenue. One of the first sponsors was MGM Records."

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"We gave the show away and in return, we received a certain number of minutes per hour for the three-hour show that we could sell to Madison Avenue. One of the first sponsors was MGM Records."

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Amber Hurdle

"First of all, you needed a budget to do the video. The record companies would pick and choose who got videos."

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"It's not all that different with the orchestra. There are orchestras that seem to be encased in dough, so that first you have to break through the normal routine, and clear out the openings."

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"Well, I think that it is complicated in that the first four albums were all with Universal so they have the rights to that and therefore it is a lot easier for them to do that period."

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Amber Hurdle

"The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form."

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Amber Hurdle

"Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays."

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Amber Hurdle

"But first I want to get my master's degree at Columbia's School of International Public Affairs."

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Amber Hurdle

"Second place is just the first place loser."

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Amber Hurdle

"You must first get along with yourself before you can get along with others."

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Amber Hurdle

"I forever felt that I've fallen right between the crack of way too young for the first generation of classic rock 'n' roll and too old to be brand-new. It's hard."

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Amber Hurdle

"Most producers I've known were writers first, and writing is a vital part of any game show. You could easily argue that the writing is the key ingredient that makes 'Jeopardy!' so great."

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Casey Kasem
"We tell stories. We talk about statistics. And in 1978, we added an element of the show that gave it its heartbeat: the long distance dedication."
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Casey Kasem
"I probably would be continuing to do voice-overs, continuing to do cartoon shows, and at the same time I'd probably be on a sitcom or a dramatic television show."
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Casey Kasem
"Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience."
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Casey Kasem
"Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger."
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Casey Kasem
"My first commercial was for Miller High Life beer."
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Casey Kasem
"Interestingly, songs used to be short, then they became longer, and now they're getting shorter."
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Casey Kasem
"My agent said that I was one of the top three busiest people in the country."
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Casey Kasem
"I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years."
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Casey Kasem
"But otherwise, music is about a beat and a message."
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Casey Kasem
"Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit."
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