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"Years ago I had a house in Sussex, it was like Arcadia, with an old Victorian bridge, a pond and the Downs."
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"I've been performing on stage since I was six years old."

"There is a lack of critical assessment of the past. But you have to understand that the current ruling elite is actually the old ruling elite. So they are incapable of a self-critical approach to the past."

"You know when you take the paint off an old canvas and you discover that something's been painted underneath it? That's what I feel like - that part of the old is coming through the new."
Old,

"Should l go on playing bridge and dining, going in the same old monotonous circle? It's easy that way, but it's a sort of suicide, too."
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"And later I thought, I can't think how anyone can become a director without learning the craft of cinematography."

"There was a village watercolour society and they'd come and paint in my field. I watched them from the window, the way they would struggle this way and that to find the perfect moment. God has made every angle on that beautiful, and I felt that tremendously."

"Marketing is a very good thing, but it shouldn't control everything. It should be the tool, not that which dictates."

"You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me."

"The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors."

"Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar."

"They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women."

"Some people are very lucky, and have the story in their heads. I've never storyboarded anything. I like the idea of chance. What makes God laugh is people who make plans."
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