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"Pain is pain, joy is joy - you can't avoid bringing pieces of yourself into a role."
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"Sometimes your joy is the source of your smile, but sometimes your smile can be the source of your joy."

"Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited...Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection."

"Joy cannot be confused with the mere absence sorrow, misinterpreted as experiencing minimal despair, or misunderstood as living without crippling trepidation. Bliss necessarily encompasses uncompromising acceptance of life's defining permutations. Emotional harmony necessitates beholding the pleasant and unpleasant exigencies of life while expressing unstinting appreciation for the ordinary and the extraordinary events in our lives. Joyfulness transcends the variations in physical and emotional demands exerted upon us. Elation for life allows us to rise above environmental determinates and associated stresses that might otherwise vex our souls including death and other sorrowful events."

"For me, the joy of doing it is doodling when I want to. But if I had to do it, I'd lose the joy."

"You are okay?" he asked. "Not eaten by monsters?""Not even a little bit." I showed him that I still had both arms and both legs, and Tyson clapped happily."Yay!" he said. "Now we can eat peanut butter sandwiches and ride fish ponies! We can fight monsters and see Annabeth and make things go BOOM!"I hoped he didn't mean all at the same time, but I told him absolutely, we'd have a lot of fun this summer."
Explore more quotes by Joshua Leonard

"I'm really proud of Blair Witch Project as a film, but as far as the cultural phenomenon of it - that was just weird luck."

"Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film."

"Mike and Heather and I rapped once or twice in New York and then we all wound up on a train together on the way out to Maryland. I think it was about a month and a half from the time we got cast until the time we shot the thing."

"The first thing I do when I read a part is see if I can identify emotionally with a character. If I make that connection, everything else is just working on knowing their life circumstances and manifesting those through practice and research."

"Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie."
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