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"I mean the public likes it more in Europe than they do here because the state supported organizations have felt that playing contemporary music was part of the education of the public."
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"I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college."
"I mean the public likes it more in Europe than they do here because the state supported organizations have felt that playing contemporary music was part of the education of the public."
"These wealthy people were very interested in contemporary music. They wanted to help diffuse it and get it to be known to other people."
"Well I tried to, but I could never write anything that I liked or was worthwhile. I threw it all out and realized that I had to make a serious study- that my tastes were far more advanced than my abilities."
"Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way."
"Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records."
"My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me."
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