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Elliott Carter was an American composer renowned for his contributions to contemporary classical music. His works are characterized by complex rhythms and innovative structures. Carter's compositions, such as his symphonies and chamber music, have received critical acclaim and continue to influence modern classical music. His dedication to exploring new musical ideas and pushing the boundaries of traditional composition has cemented his place as a major figure in 20th-century music.
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"It was only later on that I became more interested in older music."

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"Silences between movements are employed only in order to bring the opposing duo to the fore."

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"An auditory scenario for the players to act out with their instruments."

Act,
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"I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college."

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"Well I tried to, but I could never write anything that I liked or was worthwhile. I threw it all out and realized that I had to make a serious study- that my tastes were far more advanced than my abilities."

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"Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way."

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"Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris."

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"Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there."

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"My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me."

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"Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do from America."

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"These wealthy people were very interested in contemporary music. They wanted to help diffuse it and get it to be known to other people."

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"Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records."

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"Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music."

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"When I was in Paris, all of the German refugees began to flow in and it was a very sad time."

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"The Quartets have been a major part of my work."

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"I mean the public likes it more in Europe than they do here because the state supported organizations have felt that playing contemporary music was part of the education of the public."

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"In any case, Ives encouraged me to go into music even though he himself had such a hard time being a composer."

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"That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are."

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"Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe."

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