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Robert Rauschenberg

"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."

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"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."

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Assegid Habtewold

"A painting shouldn't be just a picture, it should be a philosophy."

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Personal Development

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Assegid Habtewold

"I have never subscribed to the Dirty Pallet school of painting."

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Personal Development

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Assegid Habtewold

"Good painting is the kind that looks like sculpture."

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Personal Development

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Assegid Habtewold

"Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed."

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Personal Development

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Assegid Habtewold

"I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting."

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Personal Development

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Assegid Habtewold

"The dog, the rabbit and the hoop all feature in the painting, and take the place of the orrery."

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Personal Development

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Assegid Habtewold

"Painting's not important. The important thing is keeping busy."

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Personal Development

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Assegid Habtewold

"Painting seems like some kind of peculiar miracle that I need to have again and again."

Author Name

Personal Development

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Assegid Habtewold

"One learns about painting by looking at and imitating other painters."

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Personal Development

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Assegid Habtewold

"A painting that is well composed is half finished."

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Robert Rauschenberg
"Every time I've moved, my work has changed radically."

Time

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Robert Rauschenberg
"And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission."

Time

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Robert Rauschenberg
"I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this."

Car

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Robert Rauschenberg
"And I think a painting has such a limited life anyway."

Life

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Robert Rauschenberg
"I'm sure we don't read old paintings the way they were intended."

Old

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Robert Rauschenberg
"You begin with the possibilities of the material."

Potential

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Robert Rauschenberg
"Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965."

Time

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Robert Rauschenberg
"The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone."

Chance

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Robert Rauschenberg
"And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary."

Quality

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Robert Rauschenberg
"So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design."

Design

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