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"I miss playing with Miles. I did play with him a little while before he left the planet, but even at that time I longed to maybe do some things together."
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"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

"Don't equate effective living to being busy."

"We were the only two people in the entire airport who lost total track of time, for we were consumed by space-time at that present moment. Time was irrelevant to our existence, for we didn't want to exist outside the tight and glorious knots of each other's arms. Time is basically an illusion created by the mind to aid in our sense of temporal presence in the vast ocean of space. Without the neurons to create a virtual perception of the past and the future based on all our experiences, there is no actual existence of the past and the future. All that there is, is the present."

"When did the future switch from being a promise to being a threat?"
Explore more quotes by Sonny Rollins


"There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time."


"I have always been a person who is concerned with the dignity of jazz music and the way jazz musicians have been treated and are treated, and the fact that the music has not been given the kind of due that it deserves."


"Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition."


"I don't want to appear hostile, like I'm hostile to L.A. or that I feel that the people don't appreciate jazz. I don't think it's that. I think it's something more. It's something a little bit more complicated than that."


"Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing."


"I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with."


"I think as long as people are around and can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz."


"My mother came from St. Thomas. I heard that melody and all I did was actually adapt it. I made my adaptation of sort of an island traditional melody. It did become sort of my trademark tune."
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