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Andrew Coyle Bradley

"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

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"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

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Donna Grant

"From the port of ideas, not only the most clever ones put out to sea and conquer the world but also the most stupid ones do this!"

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Personal Development

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Donna Grant

"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."

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Personal Development

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Donna Grant

"Through your ideas, you open the window of your mind and say a hello to the world."

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Personal Development

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Donna Grant

"There is no battle or engagement with any institution, company or government; it is always an engagement of ideas."

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Donna Grant

"An idea can change your fate in a wonderful way but you must first let the idea to touch your mind and your heart! No closed book can ever be your hero!"

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Donna Grant

"Many things about our bodies would not seem to us so filthy and obscene if we did not have the idea of nobility in our heads."

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Personal Development

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Donna Grant

"Unless you close your door to other ideas, you will never remain idealess!"

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Personal Development

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Donna Grant

"The real battlefield is the realm of ideas."

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Personal Development

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Donna Grant

"Ideas are the invisible Gods of our universe!"

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Personal Development

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Donna Grant

"Create a good idea and leave it in the darkness; you will then see that people will come with the candles in their hands to find it, because just like the bad, the good has also a special scent!"

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Andrew Coyle Bradley
"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."

Action

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Andrew Coyle Bradley
"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

Shakespeare

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Andrew Coyle Bradley
"Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic."

Death

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Andrew Coyle Bradley
"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."

Catastrophes

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Andrew Coyle Bradley
"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."

Knowledge

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Andrew Coyle Bradley
"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."

Effect

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Andrew Coyle Bradley
"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."

People

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Andrew Coyle Bradley
"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."

Work

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Andrew Coyle Bradley
"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

Idea

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Andrew Coyle Bradley
"In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced."

Shakespeare

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