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Andrew Coyle Bradley

"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

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"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."

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"Unless you close your door to other ideas, you will never remain idealess!"

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"There's an element of tongue-in-cheek in every one of our songs. Walking off into the sunset, holding hands, and being married forever was not exactly a brand new idea."

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"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

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"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."

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"In the jungle of ideas, it is hard to find the true direction! The paths of the wrong ideas often seem to be very alluring!"

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"The real battlefield is the realm of ideas."

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"There is no battle or engagement with any institution, company or government; it is always an engagement of ideas."

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"Anne hated the idea of putting me down in front of the audience."

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"Why should the composer be more guilty than the poet who warms to fantasy by a strange flame, making an idea that inspires him the subject of his own very different treatment?"

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"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."

Explore more quotes by Andrew Coyle Bradley

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Andrew Coyle Bradley
"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."
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Andrew Coyle Bradley
"Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic."
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Andrew Coyle Bradley
"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."
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Andrew Coyle Bradley
"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."
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Andrew Coyle Bradley
"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."
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Andrew Coyle Bradley
"A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side."
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Andrew Coyle Bradley
"In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced."
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Andrew Coyle Bradley
"Both Brutus and Hamlet are highly intellectual by nature and reflective by habit. Both may even be called, in a popular sense, philosophic; Brutus may be called so in a stricter sense."
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Andrew Coyle Bradley
"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."
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Andrew Coyle Bradley
"When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety."
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