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John Eaton

"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."

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"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."

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Amber Hurdle

"Enthusiasm - a distemper of youth, curable by small doses of repentance in connection with outward applications of experience."

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Amber Hurdle

"Of two pleasures, if there be one which all or almost all who have experience of both give a decided preference, irrespective of any feeling of moral obligation to prefer it, that is the more desirable pleasure."

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Amber Hurdle

"I had rather have a fool to make me merry than experience to make me sad and to travel for it too!"

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Amber Hurdle

"You can teach a person all you know, but only experience will convince him that what you say is true."

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Amber Hurdle

"The possibility of injury or death was a strong attraction: as the online world became more and more pre-edited and slicked up, and as even its so-called reality sites raised questions about authenticity in the minds of the viewers, the rough, unpolished physical world was taking on a mystic allure."

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Amber Hurdle

"The deepest experience of the creator is feminine, for it is experience of receiving and bearing."

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Amber Hurdle

"We learn from experience that men never learn anything from experience."

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Amber Hurdle

"There is more experience on the field of justification than on the camp of training. Sometimes, you got to take actions to learn more."

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Amber Hurdle

"The word experience is like a shrapnel shell, and bursts into a thousand meanings."

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Amber Hurdle

"Have you noticed in your past experience that your kind interpretations were almost always truer than you harsh one?"

Explore more quotes by John Eaton

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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"Well, the very best operas are the ones written by the very best composers."
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John Eaton
"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"What's important for me is to communicate the vision that I have in sound with the audience that's hearing it."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."
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John Eaton
"I think one of the greatest enemies in the use of technology, however, is the idea that if you use the technology you have to throw other things out of the window."
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