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"The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs."
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"In the morning, when he entered my room, I grumbled, but he was like the sunlight to me, all the same. One cannot defend oneself against those brats. They take hold of you, they hold you fast, they never let you go again. The truth is, that there never was a cupid like that child."
"You know you are in pure love when you see only the beauty inside you and all around you."
"Falling in love is very easy, but staying in love is very difficult."
"I was a watchful boy being raised by a father I didn't admire. In a desperate way, I needed the guidance of someone who could show me another way of becoming a man. It was sometime during the year when I decided I would become the kind of man that Bill Dufford was born to be. I wanted to be the type of man that a whole town could respect and honor and fall in love withthe way Beaufort did when Bill Dufford came to town to teach and shape and turn its children into the best citizens they could be."
"The mind judges in order to love. The heart just loves unconditionally."
Explore more quotes by Jennifer Beals
"You can make yourself feel better about yourself if you project your shadow side, if you project your own potential for evil onto someone else. By annihilating them and, therefore, your shadow, you bring yourself into some state of purity or reformation."
"By annihilating somebody else in whatever way, then that person feels that they also have the ability to, then, restore the person."
"There was a sense of all the things that go on on the street, particularly in New York, that you are just completely unaware of, that that conversation could be happening at any time. I loved the instability of the camera. It's just an unstable world."
"What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch."
"I don't think Roger Dodger is really about men. I think it is more about relationships and about how you present yourself, not only to the opposite sex, but to yourself. What lies are you going to tell yourself in order to get through the day?"
"Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well."
"You automatically are trusting because not only is the person a friend, they are so incredibly gifted that you know someone is going to be able to hit the ball back to you across the net."
"It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time."
"When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are."
"I wouldn't want them to feel lonely or outcast ever in any way. And no matter where they were in the world, I'd want them to always feel incredibly confident about who they were and proud."
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