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Craig McCracken

"The reason they look the way they do is that the first drawing I did of them was really small so I didn't draw fingers, nose, ears, etc and this drawing had a certain appeal that I really liked."

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"The reason they look the way they do is that the first drawing I did of them was really small so I didn't draw fingers, nose, ears, etc and this drawing had a certain appeal that I really liked."

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Amber Hurdle

"I live, love and loathe my characters. They stole my mind. They stole my heart."

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Amber Hurdle

"Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes."

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Amber Hurdle

"Is art really the priesthood that demands the pure in heart who belong to it wholly?"

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Amber Hurdle

"Perhaps this is the purpose of all art, all writing, on the murders, fiction and non-fiction: Simply to participate."

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Amber Hurdle

"Art is the right hand of Nature. The latter has only given us being, the former has made us men."

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Amber Hurdle

"Science, like art, religion, commerce, warfare, and even sleep, is based on presuppositions."

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Amber Hurdle

"Treat a work of art like a prince. Let it speak to you first."

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Amber Hurdle

"The vitality of a new movement in Art must be gauged by the fury it arouses."

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Amber Hurdle

"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."

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Amber Hurdle

"We do not judge great art. It judges us."

Explore more quotes by Craig McCracken

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Craig McCracken
"The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene."
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Craig McCracken
"Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw."
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Craig McCracken
"Basicly what I had to do was do a 7 minute board and pitch it to a room of big wigs from the network and based on that they determined if I would get a short or not."
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Craig McCracken
"I started working at Hanna-Barbera in '92 on 2 Stupid Dogs."
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Craig McCracken
"First, there was 2 Stupid Dogs. Then, Dexter's Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones."
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Craig McCracken
"The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format."
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Craig McCracken
"It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking."
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Craig McCracken
"One of the main things I do is focus on ideas and what stories we decide to tell, but probably the biggest part of my job I'd say is working on the storyboards."
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Craig McCracken
"Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes."
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Craig McCracken
"So what I do is supervise the boarding process trying to get the shows the way I'd like them to be. And in some cases I've completely redone a board myself even though I'm not credited for it."
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