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"I let myself slip away... Just to stay sane. Just to get through it. And when I felt myself slipping too far, I held on to the one thing I'm always sure of - Blue eyes. Bronze curls. The fact that Simon Snow is the most powerful magician alive. That nothing can hurt him, not even me. That Simon Snow is alive. And I'm hopelessly in love with him."
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"When love is roaming in our mind, looping in the deepest fringes of our heart, undreamt spaciousness emerges, repealing the constraints of triviality and letting stifling narrowness fade away. While our mindset is besieged by a revolving burst of emotion, our world is ultimately opening up. ['Cape of good hope']"

"So you will meet many 'someones' who will give a new definition to your name. And you can not build walls, must not close the door and please don't hide,because if you ask me about hurt and loveI will say love. Love because the hurt will come and go no matter what, but only love makes it worth while. Only love can cure it. Don't be scared. Go. Love."

"Unconditional love goes beyond holding on and letting go. Real love is about truth. It's about looking at what's really going on instead of the stories we tell ourselves about it. It's about being able to love someone from afar, when we need to, because we see that closeness turns us into the worst versions of ourselves."

"Love and work... work and love, that's all there is."
Explore more quotes by Rainbow Rowell

"She kept forcing herself to remember the entire conversation, playing it back and playing it back, all the way through, forcing a finger down her memory's throat."

"Parfois, écrire se rapproche de la chute libre : vos doigts s'agitent sur le clavier comme vos jambes dans le vide."

"How many people make a career out of writing anyway?' Cath snapped. She felt like everything inside her was snapping. Her nerves. Her temper. Her esophagus. 'I'll write because I love it, the way other people knit or . . . or scrapbook. And I'll find some other way to make money."

"He's mad at me.""For what?""For not being like him."Eleanor looked dubious. "Has he been mad at you for the last sixteen years?""Basically."

"There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing."

"With 'Attachments,' my goal was to write a really good romantic comedy. I wanted the reader to be smiling throughout."

"Just because it had happened before didn't mean it wasn't serious. It didn't mean he didn't need them."

"He was hers. To have and hold. Not forever, maybe--not forever, for sure--and not figuratively. But literally. And now. Now, he was hers. And he wanted her to touch him. He was like a cat who pushes its head under your hands."
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