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John Schlesinger

"I've never felt that using something with tongue in cheek has been a bad thing."

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"I've never felt that using something with tongue in cheek has been a bad thing."

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Amber Hurdle

"The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance."

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Amber Hurdle

"The only private sector industry where employees work with their lives on stake for the interest of common people is media industry."

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Amber Hurdle

"I had been thinking a lot about how the media has created this complex, fictionalized cartoon version of me, you know, this man-eating, jet-setting serial dater who reels them in, but scares them off because she's clingy and needy; then she's all dejected, so she goes into her lair and writes a song as a weapon. I mean, man, that's pretty intense. And I started thinking about what an interesting character that person is. And, if I was that person, what would my life motto be, my mantra? What would I say? I think I'd own it."

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Amber Hurdle

"Advertisements contain the only truths to be relied on in a newspaper."

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Amber Hurdle

"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."

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Amber Hurdle

"The little words in the Republic of Letters, like the little folks in a nation, are the most useful and significant."

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Amber Hurdle

"The death of a billionaire is worth more to the media than the lives of a billion poor people."

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Amber Hurdle

"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."

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Amber Hurdle

"The minute viewers callin or write about your looks, they were not listening to what you were saying."

Explore more quotes by John Schlesinger

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John Schlesinger
"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."
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John Schlesinger
"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."
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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see.something, to be disappointed. I think he expected more from the film and himself."
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John Schlesinger
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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John Schlesinger
"We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene."
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John Schlesinger
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
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John Schlesinger
"No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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