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Leo Kottke

"I am evidence that you don't have to sell a lot of records or succeed in the usual way to have a big audience and a job."

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"I am evidence that you don't have to sell a lot of records or succeed in the usual way to have a big audience and a job."

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Amber Hurdle

"Better to just be real. Show up and do your job and be a nice person."

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Amber Hurdle

"Your job is to umpire for the ball and not the player."

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Amber Hurdle

"The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man."

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Amber Hurdle

"When you do a job like this you have to like having cold sweat on your back."

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Amber Hurdle

"Getting to play superheros is a pretty good job."

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Amber Hurdle

"The presidency is not an entry-level electoral job."

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Amber Hurdle

"Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it down until it's a beautiful thing you can hand in, probably late, to your editor."

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Amber Hurdle

"Secretary Rumsfeld used to represent parts of our district in the 1960s. I think that he and his team have done a masterful job in defeating Iraqi forces quickly and decisively."

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Amber Hurdle

"It is a very delicate job to forgive a man, without lowering him in his own estimation, and yours too."

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Amber Hurdle

"I could never hold a job for more than three months, which works out well because that's how long a movie shoots."

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Leo Kottke
"There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it."
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Leo Kottke
"I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers."
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Leo Kottke
"It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes."
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Leo Kottke
"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."
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Leo Kottke
"It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best."
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Leo Kottke
"It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done."
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Leo Kottke
"You can't really tell what the audience wants but you can tell what will keep everybodies attention in the same place."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there."
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Leo Kottke
"The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment."
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