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Danny Elfman

"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."

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"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."

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Amber Hurdle

"There's a correlation between the number of digits on a man's bank balance, and, the number of things that his woman is willing to forgive him for."

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Amber Hurdle

"The Bible does not say money is the root of all evil; it says the love of money is the root of all kinds of evil. A poor man who, in his heart, worships the idea of being rich is more vulnerable to its evils than a rich man who has a heart to use it all for the Lord."

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Amber Hurdle

"Architect. One who drafts a plan of your house, and plans a draft of your money."

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Amber Hurdle

"Politics has become so expensive that it takes a lot of money even to be defeated."

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Amber Hurdle

"You cannot spend money in luxury without doing good to the poor. Nay, you do more good to them by spending it in luxury, than by giving it; for by spending it in luxury, you make them exert industry, whereas by giving it, you keep them idle."

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Amber Hurdle

"Because people have no thoughts to deal in, they deal cards, and try and win one another's money. Idiots!"

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Amber Hurdle

"If advertisers spent the same amount of money on improving their products as they do on advertising then they wouldn't have to advertise them."

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Amber Hurdle

"Among other possibilities, money was invented to make it possible for a foolish man to control wise men; a weak man, strong men; a child, old men; an ignorant man, knowledgeable men; and for a dwarf to control giants."

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Amber Hurdle

"Money's a horrid thing to follow, but a charming thing to meet."

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Amber Hurdle

"Man is smart - If money would have grown on trees, we would have used green leaves as money."

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Danny Elfman
"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
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"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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Danny Elfman
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
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Danny Elfman
"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."
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Danny Elfman
"I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music."
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Danny Elfman
"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."
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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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