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John Irving

"Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?"

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"Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?"

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Amber Hurdle

"The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal."

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Personal Development

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Amber Hurdle

"Do you know how there are moments when the world moves so slowly you can feel your bones shifting, your mind tumbling? When you think that no matter what happens to you for the rest of your life, you will remember every last detail of that one minute forever?"

Author Name

Personal Development

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Amber Hurdle

"Memories rob us of the present."

Author Name

Personal Development

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Amber Hurdle

"Let my memories of you be like water on the moon. A beautiful impossibility - but allowing me to sleep and dream of infinite beginnings rather than Othello endings."

Author Name

Personal Development

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Amber Hurdle

"There is nothing like an odor to stir memories."

Author Name

Personal Development

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Amber Hurdle

"Even now, whenever I think of her, I envision a quiet Sunday morning. A gentle, clear day, just getting under way. No homework to do, just a Sunday when you could do what you wanted. She always gave me this kick-back-and-relax, Sunday-morning kind of feeling."

Author Name

Personal Development

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Amber Hurdle

"The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart."

Author Name

Personal Development

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Amber Hurdle

"I still preserve those relics of past sufferings and experience, like pillars of witness set up in travelling through the valve of life, to mark particular occurrences. The footsteps are obliterated now; the face of the country may be changed; but the pillar is still there, to remind me how all things were when it was reared."

Author Name

Personal Development

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Amber Hurdle

"Mandy smiled cheerfully at an overweight kid in a gold sweater and pink skirt who was chasing her little brother around along the boardwalk. When she was that age, on sunny days she'd be out on the boardwalk with Jud and Wendy, buying rainbow sorbet from the ice cream shop and placing paper boats into the harbour. She felt like a ghost, drifting past the shell of her own childhood."

Author Name

Personal Development

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Amber Hurdle

"Memory may be pig-headed and want us to follow its whims along the blips and dips of our time line. ['All the words he always wanted to tell her.']"

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Personal Development

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John Irving
"We often need to lose sight of our priorities in order to see them."

Mindset

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John Irving
"Many things the gods achieve beyond our judgement,'" said the sorrowful girl. "'What we thought is not confirmed and what we thought not God contives."

Fate

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John Irving
"Small towns may revile you, but they have to keep you-they can't turn you away."

Society

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John Irving
"In our hearts... there must abide some pity for those people who have always felt themselves to be separate from even their most familiar surroundings, those people who either are foreigners or who suffer a singular point of view that makes them feel as if they're foreigners - even in their native lands. In our hearts... there also abides a certain suspicion that such people need to feel set apart from their society. But people who initiate loneliness are no less lonely than those who are suddenly surprised by loneliness, nor are they undeserving of our pity."

Society

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John Irving
"MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!"

Education

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John Irving
"It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them."

Social

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John Irving
"At times, he admitted, he had been very happy in the apple business. He knew what Larch would have told him: that his happiness was not the point, or that it wasn't as important as his usefulness."

Usefulness

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John Irving
"Here was the world-famous novelist with her penchant for detail; yet, in her observations of a prostitute with a customer, she had failed to come away with the most important detail of all. She could never identify the murderer; she could barely describe him. She'd made a point of not looking at him!"

Observation

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John Irving
"The way you remember or dream about your loved ones - the ones who are gone - you can't stop their endings from jumping ahead of the rest of their stories. You don't get to choose the chronology of what you dream, or the order of events in which you remember someone. In your mind - in your dreams, in your memories - sometimes the story begins with the epilogue."

Memory

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John Irving
"This mannerism of what he'd seen of society struck Homer Wells quite forcefully; people, even nice people-because, surely, Wally was nice-would say a host of critical things about someone to whom they would then be perfectly pleasant. At. St. Cloud's, criticism was plainer-and harder, if not impossible, to conceal."

Hypocrisy

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