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Janet Fitch

"A cliche is everything you've ever heard of."

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"A cliche is everything you've ever heard of."

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Amber Hurdle

"Perhaps then one reason why we have no great poet, novelist or critic writing today is that we refuse to allow words their liberty. We pin them down to one meaning, their useful meaning: the meaning which makes us catch the train, the meaning which makes us pass the examination."

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Amber Hurdle

"But language is wine upon his lips."

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Amber Hurdle

"For last year's words belong to last year's language And next year's words await another voice."

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Amber Hurdle

"All speech, written or spoken, is a dead language, until it finds a willing and prepared hearer."

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Amber Hurdle

"Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts."

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Amber Hurdle

"Great is language . . . . it is the mightiest of the sciences,It is the fulness and color and form and diversity of the earth . . . . and of men and women . . . . and of all qualities and processes;It is greater than wealth . . . . it is greater than buildings or ships or religions or paintings or music."

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Amber Hurdle

"Language is fossil poetry. As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin."

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Amber Hurdle

"Language is a tool for communicating and not a barrier to writing."

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Amber Hurdle

"Homo Americanus is going to go on speaking and writing the way he always has, no matter what dictionary he owns."

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Amber Hurdle

"I want to hear you wound my lovely language with your rough barbarian tongue."

Explore more quotes by Janet Fitch

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Janet Fitch
"The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine."
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Janet Fitch
"I always read poetry before I write, to sensitize me to the rhythms and music of language."
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Janet Fitch
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
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Janet Fitch
"His voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute."
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Janet Fitch
"Just a beginner, but he learned so fast. Everything came so damn easy to him. Not true. The hard things cam easy. But the easy things he found impossibly hard."
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Janet Fitch
"Rena noticed me watching it pass. 'You think they don't got problem?' Rena said. 'Everybody got problem. You got me, they got insurance, house payment, Preparation H.' She smiled, baring the part between her two upper teeth. 'We are the free birds. They want to be us."
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Janet Fitch
"Isn't it funny.I'm enjoying my hatred so much more than i ever enjoyed love. Love is temperamental. Tiring. It makes demands. Love uses you, changes its mind. But hatred, now, that's something you can use. Sculpt. Wield. It's hard, or soft, however you need it. Love humiliates you, but Hatred cradles you."
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Janet Fitch
"Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay."
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Janet Fitch
"In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show."
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Janet Fitch
"They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising."
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