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David R. Ellis

"Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you're in Hawaii for nine months shooting on the water every day."

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"Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you're in Hawaii for nine months shooting on the water every day."

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Amber Hurdle

"Life is defined by time and seasons."

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Amber Hurdle

"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

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Amber Hurdle

"A realization that even if you had discovered the future, it really didn't change how you lived in the present. They were truth, but they weren't all the truth."

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Amber Hurdle

"Don't equate effective living to being busy."

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Amber Hurdle

"If you don't capture the moments, it will be gone forever."

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Amber Hurdle

"Hurry up, before there's no more night left."

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Amber Hurdle

"They say "time is money". But I want to say "time makes money". This means time is greater than money."

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Amber Hurdle

"There is an appropriate time to release somebody or to give them a break."

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Amber Hurdle

"But thoughts the slave of life, and life, Time's fool,And Time, that takes survey of all the world,Must have a stop."

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Amber Hurdle

"We were the only two people in the entire airport who lost total track of time, for we were consumed by space-time at that present moment. Time was irrelevant to our existence, for we didn't want to exist outside the tight and glorious knots of each other's arms. Time is basically an illusion created by the mind to aid in our sense of temporal presence in the vast ocean of space. Without the neurons to create a virtual perception of the past and the future based on all our experiences, there is no actual existence of the past and the future. All that there is, is the present."

Explore more quotes by David R. Ellis

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David R. Ellis
"Chris Columbus was really interesting to watch how he works with children."
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David R. Ellis
"Its pretty rare for companies to have a snooping policy, although it is getting more common."
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David R. Ellis
"I mean, you have a general tone of it but it's pretty much you get to come in and you're going to flip this car and it's going to blow up and you're going to come out on fire and you go oh, that's cool, and then you get paid a lot of money."
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David R. Ellis
"It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it."
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David R. Ellis
"Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies."
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David R. Ellis
"We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects."
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David R. Ellis
"I felt that if there wasn't going to be a good opportunity, then I would just go back to second units which I love, keep working with great directors, keep learning and knowing that the opportunity would come when the time was right."
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David R. Ellis
"You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character."
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David R. Ellis
"No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences."
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David R. Ellis
"No, we always had something to do because I did all the wave runners and jet skis and boats approaching the atolls and stuff like that, so you could do that without showing the actual atoll or the set that you're going towards, but detailing all those guys racing towards it."
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