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"The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart."
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"You can never leave a place unless you leave that place in your mind!"
"Some days in late August at home are like this, the air thin and eager like this, with something in it sad and nostalgic and familiar. Man the sum of his climatic experiences Father said. Man the sum of what have you. A problem in impure properties carried tediously to an unvarying nil: stalemate of dust and desire."
"At last he said, "Did you come out of the big mountains?"Gitano shook his head slowly. "No, I walked down the Salinas Valley."The afternoon thought would not let Joey go. "Did you ever go into the big mountains back there?"The old dark eyes grew fixed, and their light turned inward on the years that were living in Gitano's head."
"There are times that one treasures for all one's life, and such times are burned clearly and sharply on the material of total recall. I felt very fortunate that morning."
"It disturbs me that he can remember some of these things about himself, but not others; that the things he's lost or misplaced exist now only for me. If he's forgotten so much, what have I forgotten?"
"You walk and walk and walk and then you look at back and see your youth, so far away from you, so young, so curious, so hopeful, so breezy, so brave! To feel young in old age, remember your youth very often! Remind yourself frequently what you were once!"
"I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich."
Explore more quotes by Janet Fitch
"The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine."
"I always read poetry before I write, to sensitize me to the rhythms and music of language."
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
"My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred - year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth - emptied, malarial, into a fan of swamps that met the ocean."
"His voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute."
"Just a beginner, but he learned so fast. Everything came so damn easy to him. Not true. The hard things cam easy. But the easy things he found impossibly hard."
"Rena noticed me watching it pass. 'You think they don't got problem?' Rena said. 'Everybody got problem. You got me, they got insurance, house payment, Preparation H.' She smiled, baring the part between her two upper teeth. 'We are the free birds. They want to be us."
"What can I say about life? Do I praise it for letting you live, or damn it for allowing the rest?"
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